ADVENTURES OF A NEW TELEMACHUS:
A Picture Story from 1786
Edited and Introduced by Dietrich Grünewald; translated to English by Stephan Packard;
German and English Edition; hardcover, c. 100 Seitepages, with numerous colourful illustrations;
to appear in winter 2017/18;
ISBN 978-3-941030-46-6, € 25,00 (inkl. gesetzl. USt.);
€ 25,00 (incl. VAT) Subscription price available until 31 Oktober 2017: € 15,00 (incl. VAT).
In order to subscribe, please write to firstname.lastname@example.org. Continue to Publisher’s page (German).
“For his 30th birthday Christian Gottfried Körner, Friedrich Schiller’s friend and benefectator, received a picture story hand-drawn by the scandalous author of The Robbers. Initially intended as a private jest among close friends and later presumed lost, it has since been recovered an is finally presented in print complete with the accompanying manuscript by Ferdinand Huber for the first time. For ease of reading this edition complete with a transcript of the Huber’s manuscript in German and English. The historical context and aesthetics of Schiller’s picture story, in which Körner doubles Hercules, faces voracious crocodiles in Egypt, and even gets corned, is explained by Dietrich Grünewald in an extensive introductory essay.”
Flyer herunterladen (deutsch)
Download flyer (englisch)
Publisher’s page (German).
From November 9-11 2016, a co-operation of two commissions of the German Society for Media Studies (GfM) brought us a symposium on the aesthetics of artificiality in animation and comics, at Herrenhausen near Hannover: “On the Aesthetics of the Made in Animation and Comic”. The program was put together by Hans-Joachim Backe (Kopenhagen), Julia Eckel (Marburg/Bochum), Erwin Feyersinger (Tübingen), Véronique Sina (Köln), and Jan-Noël Thon (Tübingen).
Just now, two conference reports have been published in different journals:
On März 15 2017, Animation: An Interdisciplinary Journal (12.1) published English conference proceedings by Sebastian Bartosch (Hamburg):
Continue to the English report.
And on März 20 2017, ZfM – Zeitschrift für Medienwissenschaft released a German article on the conference by Vanessa Ossa (Tübingen):
Continue to the German report.
2015 09 23 10:00-17:00
MASTERCLASS ON CULTURAL ANALYTICS WITH LEV MANOVICH
Date: 23 September 2015, 10am-5pm, University of Potsdam
To sign up for the workshop, please contact Jochen Laubrock at: email@example.com. Participation is free but will be limited to 20 seats, so please register early.
Lev Manovich is Professor of Computer Science at The Graduate Center, City University of New York, and founder and director of the Software Studies Initiative. In 2014 he was included in The Verge’s list of the 50 “most interesting people building the future”. He is well known for the automated exploration, analysis, and visualization of big image data, as exemplified in the “One million manga pages” or “Selfiecity” projects. Manovich is the author of Software Takes Command (Bloomsbury, 2013), Black Box – White Cube (Merve, 2005), Soft Cinema (MIT Press, 2005), The Language of the New Media (MIT Press, 2001), Metamediji (Belgrade, 2001), Tekstura: Russian Essays on Visual Culture (Chicago University Press, 1993) as well as over 120 articles which have been published in 30 countries and reprinted over 450 times. He is also one of the editors of the Software Studies book series (MIT Press) and Quantitative Methods in the Humanities and Social Science (Springer).
During the last weeks, the research group “Hybrid Narrativity” of the universities of Potsdam and Paderborn received a lot of attention, not least because of their successful funding through the German Federal Ministry of Education and Research (BMBF). The project is sometimes compared to a somewhat similiar Canadian approach, “What Were Comics?”: a relatively new project by Bart Beaty, Benjamin Woo and Nick Sousanis, supported by the University of Calgary and Carleton University.
“This project will develop a random sample set of comic books representing two per cent of all publications produced in the United States each year from 1933 to 2014. Comics will be indexed for a variety of formal elements (story length; page layout; panel composition; volume of text in captions, word balloons, and sound effects; scene transitions; etc.), producing a systematic survey of comic books’ material and symbolic characteristics over time” (cf. project description).
Since not all too many people in Germany are aware of What Were Comics? yet, the ComFor editorial board had a short interview with Bart Beaty, explaining a little bit of the backgrounds:
Read on: Bart Beaty-short interview
From April 24th to 26th 2015 the University of Tübingen hosted the 2nd Workshop of the AG Comicforschung (Comic Studies Board) of the Gesellschaft für Medienwissenschaft GfM (the German Society for Media Studies) under the header “The Mediality and Materiality of Contemporary Comics”. Keynote-speakers Daniel Merlin Goodbrey (Hertfordshire), Ian Hague (Comics Forum), Karin Kukkonen (Turku), Véronique Sina (Bochum) and Daniel Stein (Siegen), as well as 10 additional presenters, discussed how this relationship has changed in the context of digitalization and an increasingly convergent media culture. A detailed conference report , written by Christian A. Bachmann and Stephan Packard , is now available at Zeitschrift für Medienwissenschaft (ZfM) , the online journal of the GfM.
-> Conference report.
Since April 2015, a new research group at the University of Paderborn, called “Hybrid Narrativity,” deals with graphic literature. It is a collaborative project between the Universities of Paderborn and Potsdam, which last four years and has been funded by the German Ministry of Education with 1,9 million Euros. The defined goal of the research group is to investigate the cultural specificity and reading comprehension of so-called “graphic novels.” (Source: idw)
“Combining methods drawn from the cognitive sciences and digital humanities with narratology and literary history, our research group aims at a richer and empirically robust understanding of graphic literature and, in particular, the genre of the graphic novel. The group brings together scholars from psychology, computer science, as well as literary and cultural studies to contribute to the establishment of empirical methods in the humanities. The main research goals of the project are: 1) the creation of an XML-language that allows for the annotation of all relevant textual and visual aspects of graphic narrative, including an editor with state-of-the-art image-processing features and a representative database of contemporary graphic novels; (2) collection of an empirical reference corpus of eye movement measures and development of corresponding analysis tools and measures in the form of an R package, (3) deduction and experimental tests of causal hypotheses, using cognitive experiments involving eyetracking and gaze-contingent display change methodology, and (4) the development of central concepts of a narratology of multi-media texts and the empirical description of the genre of the graphic novel from historical and comparative perspectives.”
To project website
Daniel Stein and American Cartoonist Keith Knight, creator of The K Chronicles, (Th)ink, and The Knight Life, discuss the racial politics behind recent cases of American police brutality such as the shooting of Michael Brown in Ferguson, MO. Their conversation centers on the political potential of cartoons and comic strips and on the role of the cartoonist as a cultural commentator.
In Keith Knight’s comics and cartoons, racial conflicts and the peculiar experience of the African American community have always been central themes. “I was writing about racism long before I was making fun of presidents,” he noted in an interview we did a few years ago [see Stein 2011]. Whether it’s his longest-running autobiographical strip The K Chronicles, his nationally syndicated daily strip The Knight Life, or his single-panel cartoon (Th)ink, Knight invests his take on the ironies and absurdities of living in contemporary America with a keen sense of personal insight and a broad spectrum of humor ranging from visual slapstick and verbal puns to full-blown satire. Even though he often tells his audiences that the bulk of his material has a positive rather than an angry slant (an assessment that is certainly true), some of his most controversial and most poignant work attacks the status quo of American race relations.
Continue Reading the Interview
2014 02 24 - 2014 02 28
In February 2014, the Winter School »Transmedial Worlds in Convergent Media Culture« examined the forms and functions of a wide variety of transmedial narratives from a range of different (inter-) disciplinary perspectives. Among the renowed presenters were many ComFor-members and a whole day was dedicated to comic book phenomena. An english conference report by Lukas R.A. Wilde is now available at the Journal of Literary Theory Online.
To the Report
The next Winter School in Tuebingen will take place from January 28th to 30th 2015, examining the interrelation of “Mediality and Multimodality across Media”. Abstracts for participation may be submitted until December 15, 2014 (see Call for Papers).
In 2013, the Friedrich Naumann Foundation for Freedom organised the International Comics Competition “Animate Europe” for the first time. 2015 it will see a second edition, starting now.
“Europe Fast Forward”
“In the beginning, there was war. Then a project was set up to bring peace and prosperity to Europe. Today, it has grown to be an ever closer union of 28 very diverse member states. In recent years, the European project has been braving troubled waters. Though it remains a fascinating idea, it is struggling with low popularity.
Imagine you could fast-forward in time… anytime into the future, be it 2025, 2050 or 2500. What do you think Europe will look like? Will the European Union stick together and master its challenges as one? What role will it play in the world? How will we live? Which scientific innovations will shape our everyday life? Look into your crystal ball!”