Publikationshinweis: Comics and the City

Die ComFor-Mitglieder Jörn Ahrens und Arno Meteling zeigen ihren gemeinsam herausgegebenen englischsprachigen Sammelband über Comics and the City an. Die umfangreiche Publikation versammelt sechszehn zur Darstellungsweisen der Stadt und zur Stadt als Darstellungsweise in Comics: Von historiographischen über nostalgische und futuristische Stadtbildern im Comic sowie genregebundenen Städten der Superhelden und Städten als Stätten von Verbrechen bis zur Stadt als Reflexionsverfahren.

Jörn Ahrens/Arno Meteling (Hg.): Comics and the City: Urban Space in Print, Picture, and Sequence, London/New York 2010: Continuum

„Comics and the City deals with possibly the most important aspect of the aesthetics and narratives of comics?urban topography and environment. This collection of essays covers a variety of international approaches to the medium of comics.

Not only is the city depicted repeatedly in comic books, but it also serves as a major structural and aesthetic influence on them. Comics emerged parallel to, and in several ways intertwined with, the development of modern urban mass societies at the turn of the 20th century. On the one hand, urban topoi, self-portrayals, forms of urban cultural memories, and variant readings of the city (strolling, advertising, architecture, detective stories, mass phenomena, street life, etc.) are all incorporated into comics. On the other hand, comics have unique abilities to capture urban space and city life because of their hybrid nature, consisting of words, pictures, and sequences. These formal aspects of comics are also to be found within the cityscape itself: one can see the influence of comic book aesthetics all around us today.

With chapters on the very earliest comic strips, and on artists as diverse as Alan Moore, Carl Barks, Will Eisner and Jacques Tardi, Comics and the City is an important new collection of international scholarship that will help to define the field for many years to come.“


Jörn Ahrens and Arno Meteling: Introduction

I. History, Comics, and the City
1. Jens Balzer: ?Hully Gee, I?m a Hieroglyphe? ? Mobilizing the Gaze and the Invention of Comics in New York City, 1895
2. Ole Frahm: Every Window Tells a Story: Remarks on the Urbanity of Early Comic Strips
3. Anthony Enns: The City as Archive in Jason Lutes? Berlin

II. Retrofuturistic and Nostalgic Cities
4. Henry Jenkins: ?The Tomorrow that Never Was? ? Retrofuturism in the Comics of Dean Motter
5. Stefanie Diekmann: Remembrance of Things to Come: François Schuiten and Benoît Peeters? Cities of the Fantastic
6. Michael Cuntz: Paris au pluriel: Depictions of the French Capital in Jacques Tardi?s Comic Book Writing

III. Superhero Cities
7. William Uricchio: The Batman?s Gotham City?: Story, Ideology, Performance
8. Arno Meteling: A Tale of Two Cities: Politics, and Superheroics in Starman and Ex Machina
9. Anthony Lioi: The Radiant City: New York as Ecotopia in Promethea, Book V
10. Jason Bainbridge: ?I am New York? ? Spider-Man, New York City, and the Marvel Universe

IV. Locations of Crime
11. Greg M. Smith: Will Eisner, Vaudevillian of the Cityscape
12. Björn Quiring: ?A Fiction That We Must Inhabit? ? Sense Production in Urban Spaces According to Alan Moore and Eddie Campbell?s From Hell
13. Jörn Ahrens: The Ordinary Urban: 100 Bullets and the Clichés of Mass Culture

V. The City-Comic as a Mode of Reflection
14. André Suhr: Seeing the City through a Frame: Marc-Antoine Mathieu?s Acquefacques-Comics
15. Andreas Platthaus: Calisota or Bust: Duckburg vs. Entenhausen in the Comics of Carl Barks
16. Thomas Becker: Enki Bilal?s Woman Trap: Reflections on Authorship under the Shifting Boundaries between Order and Terror in the Cities

(Stephan Packard mit Dank an Jörn Ahrens)

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