CfP: Graphic Futures. Imagining Law’s Potential in Comics and Graphic Novels

International Workshops (US, Australia and USE)
Stichtag: 14.11.2014

Many jurisprudential texts tell the history of legal philosophy and moral thought—from Classical Greece and the medieval period, through the Enlightenment to modernity, and today’s uncertain epoch of ‘late modernity’. In such texts, it is hoped that by recounting this history—this tale of development, progression and change—our current jurisprudential state is uncovered and we are enlightened as to the issues at play in determining the nature of what law both is and should be.

So much for jurisprudential past; but what of jurisprudential future? What challenges and laws await us as we emerge from the throes of modernity? What awaits our nature as humanity integrates with advancing technology? What form will morality take in a world where official systems of order and control, or the modes of thought that created the modern state, have dissipated? What of justice without law? What of law after the human? What of knowledge and judgment after the reification of modernism has been undone? What is the next jurisprudence? It is these, and related, questions that the proposed network addresses, through innovative engagement with the medium of graphic fiction.

Comics and graphic fiction have been an under-utilised resource in the history of legal studies. Yet their unique epistemological grounding (at the borders of the visual, the linguistic, the aesthetic, and the rational), and their capacity for futuristic imagination, arguably make them an apt tool for exploring worlds, laws and ideas beyond the boundaries of the present. Engaging with futuristic visions in graphic fiction and comics, this project aims to imagine (or challenge our ability to imagine) the landscape(s) of jurisprudence in the emerging world(s) as modernity recedes.

The aim of the project is to imagine the potential future(s) of law and justice. The overarching problematic will be addressed through a series of international workshops in US, Australia and USE across 2015-2018, with each participant contributing their own perspective and particular critical ‘take’ on the issue of comics and legal futurity. There will be 8 workshops, feeding into a series of edited collections and graphic novels (funding is being sought to cover participants‘ expenses). These workshops will tackle four main sub-themes of the central problematic of legal futurity:

Approaching Graphic Futures—focusing on the project’s epistemological issues, such as:

  • the limits of legal language in relation to the language of comics;
  • the particular value of the comics medium in tackling the project’s core problematic;
  • and, how can such imaginative speculation help inform our world today.

Criminal Futures—focusing on issues relating to crime and criminal justice, such as:

  • what problems future criminal law enforcement might face;
  • concerns of pre-emptive justice;
  • and, the dominant ideals of ‘justice’ (e.g. retribution, deterrence, something else) that might prevail as modernity recedes.

Legal Futures of Technology—focusing on issues relating to advancing technology, such as:

  • the legal challenges of human-machine integration;
  • the advent of artificial intelligence;
  • and, how technology might change the face of legal institutions and regulation.

Law after the State—focusing on issues relating to rights and political theory, such as:

  • how might human relations be regulated if the modern state fails;
  • what shape might rights take in the future;
  • and, concerns of trans-temporal responsibility (for example, our responsibility to the future, or the future’s responsibility to the past).

Please send abstracts of no more than 200 words, 3 keywords, and an indication of which theme your work would ‘fit’ under, to no later than 14 November 2014.

General declarations of potential interest are also welcome: just drop a note to! The project is also seeking comics creators (writers and/or artists): email if you are interested in being involved in a creative capacity.

Further information

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