AG-Comicforschungstagung in Gießen: „Graphic Realities“

Ende Februar 2018 findet an der Justus-Liebig-Universität Gießen eine internationale Tagung der AG Comicforschung der Gesellschaft für Medienwissenschaft (GfM) in Kooperation mit dem Gießener
International Graduate Centre for the Study of Culture (GCSC) statt. Die von Laura Schlichting (Gießen) und Johannes C.P. Schmid (Hamburg) ausgerichtete Veranstaltung trägt den Titel „Graphic Realities: Comics as Documentary, History, and Journalism“. Das Programm umfasst vier Sektionen mit insgesamt 12 Vorträgen internationaler Beiträger_innen. Zu den geladenen Referent_innen, die das Programm bereichern werden, zählen Prof. Dr. Jörn Ahrens (Justus-Liebig-Universität Gießen), Dr. Nina Mickwitz (University of the Arts London), Prof. Dr. Dirk Vanderbeke (Friedrich-Schiller-Universität Jena) sowie Prof. Dr. Wibke Weber (Züricher Hochschule für Angewandte Wissenschaften, Winterthur).

Anmeldungen zur kostenfreien Teilnahme an der Tagung sind bis zum 10.02.2018 möglich unter

„While comics have traditionally been associated with fictional, especially funny and/or fantastic stories, they have in recent decades become a major vehicle for nonfiction, as well. This development coincides with a time that has been described as ‘post-truth’, in which established news media face a crisis of confidence. The turn towards comics is a turn towards a medium, which inherently promotes simplification and exaggeration. Cartoon imagery thus immediately exhibits the subjectivity of the artist and her or his interpretation – but what could be considered a hindrance towards factual reporting has become an important resource. The overt display of subjectivity and medial limitations as a show of honesty has been described as an authentication strategy of graphic nonfiction. In contrast to formats based on camera-recorded images like photography and film nonfiction comics cannot lay claim to indexing premedial reality. Rather, individual graphic styles index their own creator who as witness becomes the main authenticator. Thus, comics shift the weight of authentication from medial prerequisites towards their authors and artists and thus the textual properties referencing them. One of the questions that will be discussed at the conference is thus the relation of inherent medial properties of comics as vehicle for nonfiction.
While among graphic nonfiction life writing in particular has received widespread scholarly attention, this conference will focus on recent approaches to comics as documentary, history, and journalism. As opposed to graphic memoirs in which authors reflect upon their own lives and experiences, these works focus on the lives and experiences of others. Thus, authors and artists need to do justice towards their subjects, as well as to their own experience and negotiate their own voices within their stories. This becomes especially relevant as a majority of graphic reportages centers around highly traumatizing crises and catastrophes, such as war, displacement, natural disasters, and oppression. The conference is intended to explore how authors and artists utilize the medium of comics for nonfiction and address these ‘graphic realities’.“

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Day 1, 22 February 2018
11.00-12.00 Registration
12.00-12.30 Welcome Address
12.30-13.30 Wibke Weber (Winterthur, CH)
Understanding Comics Journalism: Research Perspectives on a Journalistic Genre
13.45-15.30 PANEL SESSION 1
Felipe Muanis (Juiz de Fora, BRA)
Reading News from Sequential Art: Brazilian Newspapers Editing Journalism through Comics
Sigrid Thomsen (London, UK)
Portraying the Constrained Love of Others in ‘Love Story à l’Iranienne’
Aura Nikkilä (Turku, FIN)
Documenting, Authenticating, Expressing: The Functions of Photographs in Comics Journalism about Refugees
15.30-16.00 Coffee Break
16.00-17.00 Dirk Vanderbeke (Jena, GER)History and Journalism in the History of Graphic Information
17.15-19.00 PANEL SESSION 2
Francisco Sáez de Adana (Alcalá de Henares, ESP)The Sino-Japanese War in ‘Terry and the Pirates’
Amrita Singh (New Delhi, IND)Of Superheroes in Ordinary Clothing: Reinventing Biography, History and the Comic Form in ‘A Gardener in the Wasteland’
Christine Gundermann (Cologne, GER)The Graphic Anne: Anne Frank as Trans-Media and Trans-National Lieu de Mémoire
20.00 Conference Dinner
Day 2, 23 February 2018
9.00-10.00 Nina Mickwitz (London, UK)‘True Story’: Documentary Claims in Comics Form
10.15-12.00 PANEL SESSION 3
Jakob F. Dittmar/Ofer Ashkenazi (Malmö, SWE/Jerusalem, ISR)Documentary Comics as Secondary Sources for Academic/Scientific Research
Dieter Declercq (Kent, UK)
Two Styles to Tell the Truth. The Satire and Comics Journalism of Matt Bors
Joanna Rostek (Giessen, GER)Documenting the Experience of Polish Labour Migrants in the UK: Agata Wawryniuk’s ‘Rozmówki polsko-angielskie’ (2012/2016)
12.00-13.15 Lunch Break
13.15-14.15 Jörn Ahrens (Giessen, GER)Why Documenting? The Quest for the Limits of Indexicality
14.30-16.15 PANEL SESSION 4
Chiao-I Tseng/Tilmann Altenberg (Bremen, GER/Cardiff, UK)
Merging Fact and Fiction: Graphic War Narratives, Persuasion and Narrative Immersion
Lukas R.A. Wilde (Tuebingen, GER)
Non-Fictional Comics as Historical Reenactment: Pictorial Representations of 9/11 beyond the Index
Philip Smith (Nassau, BHS)
Horst Rosenthal’s Holocaust Testimony
16.30-18.00 Meeting of the Comics Studies Working Group

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