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European Comic Art 12.1 (2019)

online (im Abonnement)
Website

• Maaheen Ahmed: Instrumentalising Media Memories – The Second World War According to Achtung Zelig!
• Yaakova Sacerdoti: A Transtextual Hermeneutic Journey – Horst Rosenthal’s Mickey au camp de Gurs (1942)
• Sean A. McPhail: Fall-Out and the German People – The Political Climate in Pausewang’s Novel Die Wolke (1987) and Anike Hage’s Manga Adaptation (2013)
• David Leishman: Drawing National Boundaries in Barr’s Ba-Bru Comic Strip Advertising
• David Morgan: Looking Awry at Georgian Caricature – Lacan and the Satirists

Inks: The Journal of the Comics Studies Society 3.1 (Spring 2019)

online (im Abonnement)
Website

• Margaret Galvan, Leah Misemer: Introduction – The Counterpublics of Underground Comics
• Leah Misemer: Serial Critique – The Counterpublic of Wimmen’s Comix
• Joshua Abraham Kopin: „With Apologies to The Old Masters“ – Jack Jackson’s Citational Practice and the History of Comic Book History
• Aaron Kashtan: Christmas Card from a Cat Dancer in Mipple City: Omaha the Cat Dancer and Midwestern Counterpublics
• Lara Saguisag: X-Rated – Childhood and the „Adults Only“ World of Underground Comix
• Margaret Galvan: Adjacent Genealogies, Alternate Geographies – The Outliers of Underground Comix & World War 3 Illustrated

ImageText: Interdisciplinary Comics Studies 10.3 (2018/19)

online (open access)
Website

• Vincent M. Basso: The Poverty of the Kid – Visualizing the Ragamuffin in R.F. Outcault’s Hogan’s Alley
• Mary J. Henderson: Representation Matters – Post-Racial Tensions in Moon Girl and Devil Dinosaur
• Emily Lauer: Fun (Mobile) Home
• Debraghya Sanyal: Krazy Kolors – Exploring Identities and Ambiguities in George Harriman’s Krazy Kat
• Rikke Platz Cortsen: Kverneland and Fiske in the Footsteps of Great Artists – Re-tracing as a Tool for Artist Biographies in Comics Form
•  Jean-Matthieu Méon: Comics in Museums and at their Periphery – Hierarchical Reaffirmation and Domination Adjustments in French Art Museums
• Elizabeth Nijdam: The Expressionist Aesthetics of Anke Feuchtenberger’s Graphic Narrative
• Małgorzata Olsza: Collage Technique in Alison Bechdel’s Fun Home: A Family Tragicomic

Studies in Comics 10.1 (2019)

online (im Abonnement)
Website

• • Alice Vernon: Graphic Wales: Exploring identity, landscape and language in Carol Swain’s Gast
  • David Miranda-Barreiro: Invoking the past in graphic biographies: The life, death and ghostly return of Alexandre Bóveda
  • Guillem Colom-Montero: Mass tourism as cultural trauma: An analysis of the Majorcan comics Els darrers dies de l’Imperi Mallorquí (2014) and Un infern a Mallorca (La decadència de l’Imperi Mallorquí) (2018)
  • Armelle Blin-Rolland: ‘Tu te décolonises’: Comics re-framings of the Breton Liberation Front (FLB)
  • Edward A. Shannon: Good grief, Comrade Brown! Woody Guthrie, Charles Schulz and the little cartoon book that was a big lie
  • Paul Humphrey: ‘Yo soy Groot’: Afro-Caribbean religions and transnational identity in the comic metropolis

   

  Moving Worlds: A Journal of Transcultural Writings 19.1 (2019)

  Themenschwerpunkt: Comics Fiction
  print (im Abonnement)
  Website

  • Iwan Gunawan: Indonesian Comic Strips – Localities in a Global Medium
  • Nicolas Verstappen: When Popeye and Mickey Mouse became Siamese – The Birth of Thai Comics Art and its Early Borrowings
  • Chong Lingying: My Mother, the Comic Book Publisher
  • Emma Hayley: ‘Comic Books aren’t just about latex-clad Superheroes’ – Indie Publisher Emma Hayley Reflects on her Company, SelfMadeHero
  • Monica Chiu: Inter-visuality in Kawaguchi’s Manga Eagle: The Making of an Asian-American President and its Translation into an American Series
  • Weihsin Gui: Braiding Stories and Affordances in the Graphic Novels of Sonny Liew and Koh Hong Teng