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The Comics Grid – Journal of Comics Scholarship

online (open access)
Website

• • Tony Pickering: Diabetes Year One. Drawing my Pathography: Comics, Poetry and the Medical Self
  • Robert J. Hagan: Touch Me/Don’t Touch Me: Representations of Female Archetypes in Ann Nocenti’s Daredevil
  • Leah Misemer: A Historical Approach to Webcomics: Digital Authorship in the Early 2000s
  • Xiyuan Tan: Guoxue Comics: Visualising Philosophical Concepts and Cultural Values through Sequential Narratives
  • Hailey J. Austin: “That Old Black Magic”: Noir and Music in Juan Díaz Canales and Juanjo Guarnido’s Blacksad
  • Lisa Kottas, Martin Schwarzenbacher: The Comic at the Crossroads: The Semiotics of ‘Voodoo Storytelling’ in The Hole: Consumer Culture Vol. 1
  • Nick Dodds: The Practice of Authentication: Adapting Pilgrimage from Nenthead into a Graphic Memoir
  • Ilan Manouach: Peanuts minus Schulz: Distributed Labor as a Compositional Practice

Inks 3.2 (Summer 2019)

online (im Abonnement)
Website

• • Martha Kuhlman: The Avant-Garde Aesthetic of Vojtěch Mašek
  • Mike Borkent: Anarchist Fantasies: A Cognitive Analysis of Fantasy to Promote Anarchism and Cultural Reformulation in Therefore Repent! A Post-Rapture Graphic Novel
  • Sean Guynes: Worlds Will Live, Worlds Will Die: Crisis on Infinite Earths and the Anxieties and Calamities of the Comic-Book Event
  • Paul Williams: The Greatest Team-Up Never Told? Paul Buhle Theorizes the New Left and Underground Comix
  • Paul Buhle: Komix Kountermedia (1969)
  • Jeffery Klaehn: „The History and Appreciation of an Art Form“: Talking Comics Studies with M. Thomas Inge

Journal of Graphic Novels and Comics

online (im Abonnement)
Website

• • Carla Calargé & Alexandra Gueydan-Turek: Unreading Beirut in the age of disaster capitalism: Jorj Abou Mhaya’s Madinah Mujawirah lil Ard
  • Larisa Nadya Sembaliuk Cheladyn: Forgotten immigrant voices: the early Ukrainian Canadian comics of Jacob Maydanyk
  • Yaakova Sacerdoti: An allegorical-ideological trinity: the beast is dead — the second World War among the animals (1944)
  • Sathyaraj Venkatesan & Anu Mary Peter: On comics and the chronicles of emaciation: an interview with Katie green
  • Matt Reingold: Autotransmogrification in Asaf Hanuka’s ‘The Realist’ as critique on Israeli society
  • Noha F. Abdelmotagally: Veillance in Verax and Āyālw (Ialu): Two countries, one concern
  • Peter Stanković: Corto Maltese and the process of endless semiosis
  • Rebecca Scherr: Regarding the ruins: ruins and humanitarian witnessing in Satrapi and Sacco
  • Sathyaraj Venkatesan & Anu Mary Peter: Anorexia through creative metaphors: women pathographers and graphic medicine
  • Ahmed Abdel-Raheem: The multimodal recycling machine: toward a cognitive-pragmatic theory of the text/image production
  • Elizabeth Nijdam: Transnational girlhood and the politics of style in German Manga
  • Philip Smith: ‘Getting Arno’: the New Yorker cartoon caption competition
  • Christopher Smith: Becoming illegible: the repatriation of Japanese fan culture in Genshiken
  • Sathyaraj Venkatesan & Sweetha Saji: Graphic illness memoirs as counter-discourse
  • Patrick L. Smith et al.: Graphic novelisation effects on recognition abilities in students with dyslexia
  • Jeffery Klaehn: “Bold and bright, combining the aesthetics of comics and Saturday morning cartoons”: an interview with comic book artist and writer Tom Scioli
  • Julia Ludewig: Different beasts? National and transnational lines in the German-Indian anthology The Elephant in the Room
  • Sathyaraj Venkatesan & Chinmay Murali: “Childless? Childfree? Neither, Just ME”: pronatalism and (m)otherhood in Paula Knight’s The Facts of Life
  • Jeffery Klaehn: ‘Making comics for me is about making comics and nothing else’: talking comics with Michel Fiffe, Charles Forsman, and Benjamin Marra
  • Cristina Salcedo González: Penelopean aesthetics in Fun Home: drawing queer potentialies

Comicalités – Études de culture graphique

online (open access)
Website

• • Sofiane Taouchichet: Représentations auctoriales dans Excel Saga: figures, enjeux et métafiction
  • Camille Roelens: Figure d’autorité, maître et disciple(s): Hugo Pratt par Milo Manara
  • Zoé Vangindertael: La représentation muséale de l’auteur de bande dessinée: enjeux d’une dialectique entre l’artiste et l’artisan