Zeitschriftenmonitor 08: Neue Ausgaben

Der Zeitschriftenmonitor ist eine Unterkategorie des Monitors. Hier werden in unregelmäßigen Abständen kürzlich erschienene Ausgaben und Artikel internationaler Zeitschriften zur Comicforschung sowie Sonderhefte mit einschlägigem Themenschwerpunkt vorgestellt. Die Ankündigungstexte und/oder Inhaltsverzeichnisse stammen von den jeweiligen Websites.
Haben Sie Anregungen oder Hinweise auf Neuerscheinungen, die übersehen worden sind und hier erwähnt werden sollten? Das Team freut sich über eine Mail an redaktion@comicgesellschaft.de.
Zu früheren Monitoren


Inks: The Journal of the Comics Studies Society 4.1

online (im Abonnement)

  • Neal Curtis: The Specters of Captain America: Time and the Haunting of American Politics
  • J. V. Miranda, Joseph Turner: Watchmen and Speculating on the Future of the Humanities
  • Layli Maria Miron: No Reclaimed Homeland: Thi Bui’s Postcolonial Historiography in The Best We Could Do
  • Adrienne Resha: The Blue Age of Comic Books
  • Rebecca Wanzo: Identity Temporalities and American Born Chinese
  • Dale Jacobs, Heidi Jacobs: Comics and Public History: The True Story of the 1934 Chatham Coloured All-Stars

Imagetext 11.3

Themenschwerpunkt: ImageTech: Comics and Materiality

online (open access)

  • Madeline B. Gangnes, Megan Fowler, Jaquelin Elliott: ImageTech: Comics and Materiality
  • Madeline B. Gangnes: Introduction
  • Aaron Kashtan: Comics Are for Everyone: Rethinking Histories of Comics Fandom
  • Mita Mahato: Material Comics
  • Anastasia Salters: #NostalgiaGate? Comics as Battleground in Transmedia Networked Publics
  • Claudia Maria Acosta: Print_and_PDF Culture: The Transmediation of Public Intimacy, Allied Readership and Feminist Collage by Millennial Zinesters
  • Allison Bannister: A Fairytale Box of Thermochromic Fragments: Comics Materiality, Theory and Praxis
  • Carolina Martins: Extending Realities, Expanding Readings? Spatial Reconfigurations and Activated Presence in XR Comics‘ Experiences
  • Elaine Sponholtz: Object Lessons: Comics Creators Roundtable on Materiality and Comics
  • Tomasz Żaglewski: The Unwrapped Editions: Searching for the “Ultimate” Format of Graphic Novels and its Limitations


Journal of Graphic Novels and Comics

online (im Abonnement)

  • Aneurin Wright: Shame, sexuality, mental health and comics
  • Sam Hester: Indie comics in Alberta: two stories from the field
  • Matt Reingold: Israeli graphic novels & the second Palestinian Intifada: ‘Jamilti’, Exit Wounds & Mike’s Place
  • Samantha Golding, Diarmuid Verrier: Teaching people to read comics: the impact of a visual literacy intervention on comprehension of educational comics
  • Loren Barbour: ‘Nemeses! Dragons! Symbolism!’: queering the fantasy hero narrative in Nimona
  • Debra Dudek: Silent sequences and ontological entanglement in Shaun Tan’s The Arrival and Pat Grant’s Blue
  • Anne Rüggemeier: Transformative list-making: challenging heteronormativity and ableism in Ellen Forney’s somatographies
  • Gonzalo M. Pavés: The discreet charm of the butterfly pierced by a pin. Federico Fellini, Milo Manara, and the comic book
  • Olga Michael: PTSD and female sexuality in the aftermath of childhood and adolescent sexual abuse in Una’s Becoming Unbecoming
  • Meg-John Barker: Plural selves, queer, and comics
  • Ivo Jirásek: Holistic leisure education through the Czech Rapid Arrows comics
  • Bruce Mutard: Vita Longa, Ars Breva
  • Sydney Phillips Heifler: Romance comics, dangerous girls, and the importance of fathers
  • Benjamin Fraser: Tactile comics, disability studies and the mind’s eye: on “A Boat Tour” (2017) in Venice with Max
  • Cara Gormally: The baby-making black hole
  • Tatiana Prorokova-Konrad: Child soldiers in transatlantic graphic narratives of war
  • Fionnuala Doran: Alone amidst X-men: Rogue, sexuality, and mental illness
  • J. Andrew Deman: Busting Loose: Ms. Marvel and post-rape trauma in X-Men comics
  • Pfunzo Sidogi: (South) Africa’s online animation revolution: the case of Jonas Lekganyane’s The adventures of Noko Mashaba
  • Jillian Fleck: A stranger heritage: Canadian identity in the comics of Michael DeForge
  • Vlad Beronja: Twilight zones of history: Aleksandar Zograf’s Regards from Serbia and the Serbian alternative comics of the 1990s
  • Giorgio Busi Rizzi: Immigrant song: nostalgic tensions in Shaun Tan’s The Arrival
  • Maria Pagès: The spreading of technical knowledge in post-Civil War Spain: the example of Josep Escobar
  • Tomasz Żaglewski: From white eagles to turbopoles. The specifics of superhero narratives in Polish comic books
  • Tomasz Żaglewski: The Impossibles revived: Hanna-Barbera’s superhero universe in TV and comics
  • Camilla Baasch Andersen: Musings on the comic book contract project and legal design thinking
  • Paul Mountfort: Tintin, gender and desire
  • Keith Friedlander: Beyond alternative: Michael DeForge and the new grotesque
  • Delilah Bermudez Brataas: Gods and monsters: authorial creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare
  • Leonie Brialey: Varieties of sincerity and irony in the work of Michael Leunig and Mary Leunig
  • Paul Uhlmann: Lines of doubt, fear and tenderness in the work of José Luis Cuevas and Tommi Parrish