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Inks: The Journal of the Comics Studies Society 4.1

online (im Abonnement)
Website

• Neal Curtis: The Specters of Captain America: Time and the Haunting of American Politics
• J. V. Miranda, Joseph Turner: Watchmen and Speculating on the Future of the Humanities
• Layli Maria Miron: No Reclaimed Homeland: Thi Bui’s Postcolonial Historiography in The Best We Could Do
• Adrienne Resha: The Blue Age of Comic Books
• Rebecca Wanzo: Identity Temporalities and American Born Chinese
  
• Dale Jacobs, Heidi Jacobs: Comics and Public History: The True Story of the 1934 Chatham Coloured All-Stars

Imagetext 11.3

Themenschwerpunkt: ImageTech: Comics and Materiality

online (open access)
Website

• Madeline B. Gangnes, Megan Fowler, Jaquelin Elliott: ImageTech: Comics and Materiality
• Madeline B. Gangnes: Introduction
  
• Aaron Kashtan: Comics Are for Everyone: Rethinking Histories of Comics Fandom
• Mita Mahato: Material Comics
• Anastasia Salters: #NostalgiaGate? Comics as Battleground in Transmedia Networked Publics
• Claudia Maria Acosta: Print_and_PDF Culture: The Transmediation of Public Intimacy, Allied Readership and Feminist Collage by Millennial Zinesters
• Allison Bannister: A Fairytale Box of Thermochromic Fragments: Comics Materiality, Theory and Praxis
• Carolina Martins: Extending Realities, Expanding Readings? Spatial Reconfigurations and Activated Presence in XR Comics‘ Experiences
• Elaine Sponholtz: Object Lessons: Comics Creators Roundtable on Materiality and Comics
• Tomasz Żaglewski: The Unwrapped Editions: Searching for the “Ultimate” Format of Graphic Novels and its Limitations

Journal of Graphic Novels and Comics

online (im Abonnement)
Website

• Aneurin Wright: Shame, sexuality, mental health and comics
• Sam Hester: Indie comics in Alberta: two stories from the field
• Matt Reingold: Israeli graphic novels & the second Palestinian Intifada: ‘Jamilti’, Exit Wounds & Mike’s Place
• Samantha Golding, Diarmuid Verrier: Teaching people to read comics: the impact of a visual literacy intervention on comprehension of educational comics
• Loren Barbour: ‘Nemeses! Dragons! Symbolism!’: queering the fantasy hero narrative in Nimona
• Debra Dudek: Silent sequences and ontological entanglement in Shaun Tan’s The Arrival and Pat Grant’s Blue
• Anne Rüggemeier: Transformative list-making: challenging heteronormativity and ableism in Ellen Forney’s somatographies
• Gonzalo M. Pavés: The discreet charm of the butterfly pierced by a pin. Federico Fellini, Milo Manara, and the comic book
• Olga Michael: PTSD and female sexuality in the aftermath of childhood and adolescent sexual abuse in Una’s Becoming Unbecoming
• Meg-John Barker: Plural selves, queer, and comics
• Ivo Jirásek: Holistic leisure education through the Czech Rapid Arrows comics
• Bruce Mutard: Vita Longa, Ars Breva
• Sydney Phillips Heifler: Romance comics, dangerous girls, and the importance of fathers
• Benjamin Fraser: Tactile comics, disability studies and the mind’s eye: on “A Boat Tour” (2017) in Venice with Max
• Cara Gormally: The baby-making black hole
• Tatiana Prorokova-Konrad: Child soldiers in transatlantic graphic narratives of war
• Fionnuala Doran: Alone amidst X-men: Rogue, sexuality, and mental illness
• J. Andrew Deman: Busting Loose: Ms. Marvel and post-rape trauma in X-Men comics
• Pfunzo Sidogi: (South) Africa’s online animation revolution: the case of Jonas Lekganyane’s The adventures of Noko Mashaba
• Jillian Fleck: A stranger heritage: Canadian identity in the comics of Michael DeForge
• Vlad Beronja: Twilight zones of history: Aleksandar Zograf’s Regards from Serbia and the Serbian alternative comics of the 1990s
• Giorgio Busi Rizzi: Immigrant song: nostalgic tensions in Shaun Tan’s The Arrival
• Maria Pagès: The spreading of technical knowledge in post-Civil War Spain: the example of Josep Escobar
• Tomasz Żaglewski: From white eagles to turbopoles. The specifics of superhero narratives in Polish comic books
• Tomasz Żaglewski: The Impossibles revived: Hanna-Barbera’s superhero universe in TV and comics
• Camilla Baasch Andersen: Musings on the comic book contract project and legal design thinking
• Paul Mountfort: Tintin, gender and desire
• Keith Friedlander: Beyond alternative: Michael DeForge and the new grotesque
• Delilah Bermudez Brataas: Gods and monsters: authorial creation in Gaiman’s Sandman and McCreery and Del Col’s Kill Shakespeare
• Leonie Brialey: Varieties of sincerity and irony in the work of Michael Leunig and Mary Leunig
• Paul Uhlmann: Lines of doubt, fear and tenderness in the work of José Luis Cuevas and Tommi Parrish