Comicgesellschaft

Schedule for the Annual ComFor Conference 2020: „Comics & Agency“

Termin:
2020 10 08 - 2020 10 10
online - live via Zoom

15th Annual Conference of the German Society for Comic Studies:

Comics & Agency: Actors, Publics, Participation

Online | Live via Zoom

Registration:

There is no conference fee, but in order to participate you will need to register by sending an email to comfor@comicgesellschaft.de no later than 5 October 2020.

Organisers:

Vanessa Ossa (University of Cologne)
Jan-Noël Thon (Norwegian University of Science and Technology)
Lukas R. A. Wilde (University of Tuebingen)

Schedule:
Thursday, 8 October 2020
13:30 CEST Welcome and Introduction: Christina Meyer (Free University Berlin), Vanessa Ossa (University of Cologne), Jan-Noël Thon
(Norwegian University of Science and Technology), Lukas R. A. Wilde (University of Tuebingen)
Panel 1: Digital Agency
14:00 CEST
  • Nicolle Lamerichs (HU University of Applied Sciences Utrecht):
    Comics Interfaces: Digital Innovation and Fandom on Webtoon
  • Giorgio Busi Rizzi (Ghent University):
    Won’t Somebody Please Think of the Readers? Digital Comics Enhancing and Undermining the Agency of Their Users
  • Hans-Joachim Backe (IT University of Copenhagen):
    Who Controls the Speech Bubbles? Refl ecting on Agency in Comic-Games
15:30 CEST Coffee Break
Panel 2: Intermedial Agency
16:00 CEST
  • Manuel Herrero-Puertas (National Taiwan University):
    “Unconquerable and Simple”: Whitman, Democracy, Comics
  • Greice Schneider (Universidade Federal de Sergipe):
    Telling Stories with Photo-Archives: Narrativizing Visual Archives through Documentary Comics
  • Jared Gardner (The Ohio State University):
    Playing Comics, Reading Games
17:30 CEST Coffee Break
Keynote 1
18:00 CEST Henry Jenkins (University of Southern California):
Comics and Stuff
Award Ceremony: Martin-Schüwer-Preis 2020
20:00 CEST Dorothee Marx (University of Kiel), Daniel Stein (University of Siegen), and the Winner of the Martin-Schüwer-Preis

 

Friday, 9 October 2020
Panel 3: Authorial Agency
11:30 CEST
  • Georges Felten (University of Zurich):
    Moving Pictures: “Anti-Authorial” Dynamics in Wilhelm Busch’s Max und Moritz
  • Laura Glötter (Heidelberg University):
    Comics Artist versus Artistic Genius: Authorship and Metafi ction in Fiske’s and Kverneland’s Kanon
  • Jörn Ahrens (University of Giessen):
    Ada in the Jungle and Aya in Yop City: Doing Gender and Doing Africa
13:00
CEST		 Lunch Break
Panel 4: Editorial Agency
14:00 CEST
  • Jaqueline Berndt (Stockholm University): Distributive Agents Coming to the Fore: The Manga Editor in Recent Media Texts
  • Barbara Eggert (University of Art and Design Linz):
    Distribution and Publication as Topics in Autobiographical Graphic Novels and Comics Anthologies
  • Jessica Burton (University of Luxembourg):
    Tintin’s Global Journey: Invisible Actors behind a Europeanisation of the Comics Industry in the 1960s
15:30 CEST Coffee Break
Panel 5: Distributional Agency
16:00 CEST
  • Shawna Kidman (University of California San Diego):
    Licensing and Licensors as Agents of Change in US Comic Book Publishing
  • Romain Becker (École Normale Supérieure de Lyon):
    How Reprodukt Creates Series
  • Ian Horton (University of the Arts London) and John Miers (Kingston University London):
    Issues of Agency when Archiving and Displaying Mini-Comics from the Les Coleman Collection
17:30 CEST Coffee Break
Keynote 2
18:00 CEST Mel Gibson (Northumbria University):
Librarians, Agency, Young People, and Comics: Graphic Account and the Development of Graphic Novel Collections in Public Libraries in Britain in the 1990s
Virtual Comic Museum Erlangen
20:00 CEST Lisa Neun and Ralf Marczinczik

 

Saturday, 10 October 2020
Open Forum
11:30 CEST
  • Cathérine Lehnerer (Academy of Fine Arts Vienna):
    Comic Workshops: New Ways to Shape Participation in Education
  • Janina Wildfeuer, Ielka van der Sluis, and Gisela Redeker (University of Groningen):
    No Laughing Matter? Analyzing Instructional First-Aid Comics
  • Mark Hibbett (University of the Arts London):
    Toward a Tool for Measuring Transmedia Character Coherence
13:00
CEST		 Lunch Break
Panel 7: Fan Agency (Part I)
14:00 CEST
  • Benjamin Woo (Carleton University):
    The Self-Commodifi cation of Comics Fandoms: From “Active” to “Agentic” Audiences?
  • Matthew J. Smith (Radford University):
    Pilgrimage to Hall H: Fan Agency at Comic-Con
  • Suzanne Scott (University of Texas at Austin):
    Towards an Aesthetics of Noncompliance: Comics Iconography and Fan Tattoos
15:30 CEST Coffee Break
Panel 8: Fan Agency (Part II)
16:00 CEST
  • Safiyya Hosein (Ryerson University/York University):
    Muslim Manga: Fandom Discourses and Issues of Cultural Participation
  • Anke Marie Bock and Ashumi Shah (University of Augsburg):
    Death of the Endless and Fan Projections
  • Christopher Pizzino (University of Georgia):
    Comics and the Omnipotent Reader: The Body of Richard C. Meyer
17:30 CEST Coffee Break
Concluding Discussion: Where Do We Go from Here?
18:00 CEST Vanessa Ossa (University of Cologne), Jan-Noël Thon (Norwegian University of Science and Technology),
Lukas R. A. Wilde (University of Tuebingen)

 

Download schedule as PDF file.

New Publication: ComFor Conference Proceedings “Spaces Between”

Posted on 2020 07 23, 00:05

We are happy to announce the publication of the proceedings of the 13th annual ComFor conference that took place in September 2018 in Cologne. Edited by ComFor members Véronique Sina und Nina Eckhoff-Heindl, the edited volunme Spaces Between: Gender, Diversity, and Identity in Comics contains numerous contributions by members and non-members.

 

Nina Eckhoff-Heindl and Véronique Sina (eds.)

Spaces Between: Gender, Diversity, and Identity in Comics

Springer, 2020

ISBN 978-3-658-30115-6

 

Publisher’s description:

“The contributions gathered in this volume exhibit a great variety of interdisciplinary perspectives on and theoretical approaches to the notion of ‘spaces between’. Theydraw our attention to the nexus between the medium of comics and the categories of difference as well as identity such as gender, dis/ability, age, and ethnicity, in order to open and intensify an interdisciplinary conversation between comics studies and intersectional identity studies.” → go to publisher’s website

Contents:

  • Cocca, Carolyn: “Reproducing Inequality and Representing Diversity: The Politics of Gender in Superhero Comics”
  • Blank, Juliane: “Gendered Violence and Structures of Power. Reclaiming the Victim Narrative in the Netflix Show Marvel’s Jessica Jones“
  • Brown, Jeffrey A.: “Spider-Analogues: The Unmarking and Unmasking of White Male Superheroism”
  • Crawford, Philip: “My Noose Around that Pretty’s Neck: Meditations on Matt Baker’s Good Girls“
  • Miller, Ann: “The Nude and the Naked: From Fine Art to Comics”
  • Rauchenbacher, Marina, and Katharina Serles: “Fragmented and Framed. Precarious ‘Body Signs’ in Comics by Regina Hofer, Ulli Lust, Barbara Yelin and Peer Meter”
  • Veith, Natalie: “Othering Voices and the Voice of the Other: The Depiction of Joseph Merrick in From Hell“
  • Neldner, Jonas: “Dis/ability and Hybridity: The Bodies of Charles Burns”
  • Becker, Romain: “The Binary Comics of a Non-binary Artist: How Vaughn Bodé’s Identity Structured His Art”
  • Eckhoff-Heindl, Nina: “Branford the Best Bee in the World. The Socio-Culturally Imprinted Self of Anthropomorphic Bodies”
  • Sina, Véronique: “‘If only I’d had a nose job’. Representations of the Gendered Jewish Body in the Works of Aline Kominsky-Crumb”
  • Berndt, Jaqueline: “Manga Aging: Grannies and Gutters”
  • Oksman, Tahneer: “An Art of Loss”

→ Conference report of the 13th annual ComFor conference
→ Overview of all annual ComFor conferences
→ Overview of all conference proceedings

Publication: “Producing Mass Entertainment. The Serial Life of the Yellow Kid”

Posted on 2019 12 16, 00:01

We are happy to announce the recent publication of the monograph Producing Mass Entertainment: The Serial Life of the Yellow Kid by ComFor member Christina Meyer:

 

Producing Mass Entertainment. The Serial Life of the Yellow Kid

Christina Meyer

278 pages, 35 illustrations

ISBN 978-0-8142-1416-9 (Hardcover)
ISBN: 978-0-8142-5560-5 (Paperback)
ISBN: 978-0-8142-7746-1 (eBook)

Publisher’s website

 

Official blurb:

“Emerging mass culture in nineteenth-century America was in no small way influenced by the Yellow Kid, one of the first popular, serial comic figures circulating Sunday supplements. Though comics existed before, it was through the growing popularity of full-color illustrations printed in such city papers as Inter Ocean (Chicago) and the World (New York) and the implementation of regular, weekly publications of the extra sections that comics became a mass-produced, mass-distributed staple of American consumerism. It was against this backdrop that one of the first popular, serial comic figures was born: the Yellow Kid.
Producing Mass Entertainment: The Serial Life of the Yellow Kid offers a new take on the emergence of the Yellow Kid comic figure, looking closely at the mass appeal and proliferation of the Yellow Kid across different media. Christina Meyer identifies the aesthetic principles of newspaper comics and examines the social agents—advertising agencies, toy manufacturers, actors, retailers, and more—responsible for the Yellow Kid’s successful career. In unraveling the history of comic characters in capitalist consumer culture, Meyer offers new insights into the creation and dissemination of cultural products, reflecting on modern artistic and merchandising phenomena.”

Announcement of the laureate of the first Martin-Schüwer Prize 2019

Posted on 2019 09 26, 00:01

We return a few days earlier  from our summer break on the occasion of the announcement of the laureate of the Martin-Schüwer Prize 2019. The prize is a joint venture of the ComFor and the Committee for Comic Studies (AG Comicforschung) of the German Society of Media Studies (GfM) and is this year awarded for the first time. Among a total of 14 submissions from the field of interdisciplinary comics studies, it was the contribution of Dorothee Schneider (now Dorothee Marx), “The ‘Affected Scholar’. Reading Raina Telgemeier’s Ghosts as a Disability Scholar and Cystic Fibrosis-Patient”, that stood out the most, earning her the first Martin Schüwer Prize for Excellence in Comics Studies! The essay was published in Closure 5 (2018).

In addition to Marx’s submission, the judges also made special mention of two more shortlisted essays that struck them as particularly interesting: “Opazität und Transparenz: Überlegungen zum poietischen Potenzial in Chris Wares Comics und Animationen“ by Nina Eckhoff-Heindl and „Visible Hand? Subjectivity and Its Stylstic Markers in Graphic Narratives” by Lukas Etter.

The official award ceremony will take place on 09 November, 2019, as part of the Annual ComFor Conference 2019 where  Dorothee Marx is going to hold a special lecture entitled “Approaching Ghosts – Creating affected scholarship”.

We congratulate the laureate Dorothee Marx as well as the shortlisted authors Nina Eckhoff-Heindl and Lukas Etter on their outstanding contributions!

The judges were:
Stephan Packard
Véronique Sina
Lukas R.A. Wilde

Summer Break and Initiative for more Diversity in the Field of Comics Studies

Posted on 2019 08 15, 00:00

The ComFor‘s web editorial team will take a break over the summer months. Therefore, there will be no regular posts on the website until 30 September 2019. We will, however, keep updating the sections on ongoing calls for papers and on exhibitions.

But before we say good bye, we would like to announce the formation of a new committee within the ComFor, the Committee for Diversity, an initiative instigated by ComFor Vice-President Véronique Sina.

The aim of this committee is to contribute to an equal, gender-neutral research culture by promoting the visibility of non-hegemonic, queer-feminist research and researchers, both within the ComFor as well as in the comics studies community in general. The initiative is a reaction to a lack of diversity that characterises the field of comics studies in many ways, for example in terms of methodological approaches and the canon of works as well as the research community in general. To counteract these excluding mechanisms of representation, the Committee for Diversity aims at establishing a more inclusive research environment and introduce new academic impulses.

Last year’s annual ComFor Conference, which was dedicated to topics relating to intersectional gender and diversity studies, showed both the great necessity of and interest in queer-feminist questions and perspectives in the field of comics studies. But it also clarified the desideratum and the gaps that need to be explored to arrive at a critically reflexive and interdisciplinary engagement with comics.

With the foundation of the Committee for Diversity, the ComFor takes an important step to fill these gaps and to send a clear message against any form of discrimination and exclusion.

Currently the committee is in the planning phase,  but during this year’s annual ComFor Conference at Schwarzenbach, a constitutive meeting will take place on 10 November, 2019, during which the committee‘s approach and line of work will be decided.

For further information, contact the Committee for Diversity via email: AGDiversity@comicgesellschaft.de

For now, we wish all of our readers a nice summer and look forward to once more keep you posted with regular news on comics studies in early autumn.

All the best,

Robin-Martin Aust, Katharina Serles, and Natalie Veith

on behalf of the web editorial team

Program of the Annual ComFor Conference 2019: “Comparative Aspects in Comics Studies”

Termin:
2019 11 08 - 2019 11 10
Erika-Fuchs-Haus, Museum für Comic und Sprachkunst, Bahnhofstraße 12, 95126 Schwarzenbach an der Saale, Germany

14. Annual Conference of the Society for Comics Studies (ComFor):

Translation, Localisation, Imitation, and Adaptation: Comparative Aspects in Comics Studies

 

Program

D| Talk or panel in German

E| Talk or panel in English

Freitag | Friday
11.30 am D| Member’s meeting of the Society for Comics Studies (ComFor)
1.00 pm Mittagspause | Lunch Break (Snacks)
Offenes Forum I | Open Forum I
1.30 pm D| Lukas Etter:

»It’s a relief« Aline Kominsky-Crumbs spielerische Imitation und Subversion von Stildiskursen
2.00 pm D| Marie Müller:

Prudhommes Adaption von Struths Museum Photographs
2.30 pm E| Jennifer Neidhardt:

»I knew there was something in the closet«: Marvel’s Spider-Man and Queer Identity
3.00 pm Pause | Break
Offenes Forum II | Open Forum II
3.15 pm E| Katharina Serles and Marina Rauchenbacher:

Visualities of Gender in German-language Comics
3.45 pm E| Jeff Thoss, Ian Hague, Ian Horton, and Sylvia Kesper-Biermann:

Lost in Translation: Connecting English-language and German-language Comics Studies
4.15 pm E| Ivan Petrovic:

Translating Comics between Cultures and within Languages: The Case of Yugoslavian Comics in German-Speaking Countries
4.45 pm Pause | Break
5.00 pm Begrüßung | Commencement
D| Panel I: Comic-Übersetzung und ihre populäre Vermittlung
5.15 pm Alexandra Hentschel (Schwarzenbach):

Das einzige Museum für Comic-Übersetzung
5.45 pm Nassrin Sadeghi (Dortmund):

comic+cartoon. Pläne zum neuen Schauraum für Comic-Kunst in Dortmund
6.15 pm Pause | Break
E| Keynote I: Practice in Translation
6.30 pm David Zane Mairowitz (Berlin): KafKa in KomiKs
8.00 pm Abendessen | Dinner (Buffet)

 

Samstag | Saturday
E| Keynote II: International Perspectives on Comics Translation
9.00 am Federico Zanettin (Perugia):

New Methods in Examining Comics in Translation
10.15 am Pause | Break
E| Panel II: Translation and Localisation
10.30 am Laura Antola (Turku):

»If the other Nordic countries wish to publish rubbish, they can go ahead!« Transnational strategies for adapting the Marvel Universe in Finland
11.15 am Romain Becker (Lyon):

»Just according to keikaku (keikaku means plan)«:How fans translate (or don’t)
12.00 noon Pause | Break
12.15 pm Keren Zdafee (Tel Aviv):

Egyptianizing Mickey and Minnie? On cultural transfers and the domestication of Western imagery in the Egyptian satirical press of the 1930s
1.00 pm Lynn L. Wolff (Michigan):

Translation, Modification, Visualization: Comparative Aspects of Nora Krug’s Heimat
1.45 pm Mittagspause | Lunch Break
E| Panel III: Intermedia Adaptation
3.00 pm Olga Kopylova (Sendai):

Lines and Layers, Look and Feel: Transformations of style in manga-to-anime adaptations
3.45 pm Elisabeth Krieber (Salzburg):

Adapting the Queer Autographic Self: Fun Home from the Comics Page to the Broadway Stage
4.30 pm Pause | Break
4.45 pm Marina Rauchenbacher (Wien):

Who (and where) is Alice? Anke Feuchtenberger’s Adaptation of Lewis Carroll’s Alice
5.30 pm Pause | Break
6.00 pm Preisverleihung & Preisvortrag | Award & Special Keynote

Martin-Schüwer-Publikationspreis für herausragende Comicforschung

Martin Schüwer Publication Award for Excellence in Comics Studies
7.00 pm Conference Dinner

 

Sonntag | Sunday
D| Keynote III: Kulturwissenschaftliche Translatologie
9.00 am Natalie Mälzer (Hildesheim):

Comic-Übersetzungen und Adaptionen als kulturelle Praxis
10.15 am Pause | Break
D| Panel IV: Übersetzungen und Lokalisierungen
10.30 am Christine Hermann (Wien):

Die vielen Namen von Suske und Wiske. Ein flämischer Abenteuercomic in deutscher Übersetzung
11.15 am Yun-Jou Chen (Taiwan/Mainz):

»Popalania, the perfect country« Neue Überlegungen zu dem Fall der Popeye-Übersetzung (1967-1968) in Taiwan
12.00 noon Pause | Break
D| Panel V: Intermediale Adaptionen
12.15 pm Dietrich Grünewald (Koblenz/Reiskirchen):

Die Kunst der Adaption – Oscar Wilde: Das Bildnis des Dorian Gray
1.00 pm Linda-Rabea Heyden (Jena/Berlin):

Klassikeradaption im Comic funktional und medial,

am Beispiel von Goethes Faust
1.45 pm Mittagspause | Lunch Break

& Treffen der AG Diversity | Meeting of the Committee for Diversity
3.00 Markus Oppolzer (Salzburg):

Nachgezeichnete Leben:Die Künstlerbiografie am Beispiel Vincent van Goghs
3.45 pm Véronique Sina (Köln):

Queering Comic and Film: Coming out und coming of age in Le Bleu est

une couleur chaude (2010) und LA VIE D’ADÈLE (2013)
4.30 pm Pause | Break
D| Panel VI: Noch einmal: Vergleichen
4.45 pm Jörn Ahrens (Gießen):

Die Erfindung des Comic in Deutschland. Frühe Perspektiven der Comicforschung
5.30 pm Ole Frahm (Frankfurt am Main): Phantom. Phantomias.
6.15 pm Abschlussdiskussion | Conclusion
~7.00 pm Abreise | Departure

 

Organisers:

Christian Bachmann, Juliane Blank, Alexandra Hentschel and Stephan Packard

See also:
Registration
Accomodation
Directions

New Publication Series on Comics Studies

Posted on 2018 12 10, 00:00

Recently, two new publication series on comics studies have been announced by their respective editors:

Wilfried Laurier University Press is currently preparing the series Crossing the Lines: Transcultural/Transnational Comics Studies, edited by Barbara Postema, Candida Rifkind and Nhora Lucía Serrano. This interdisciplinary publication series will focus on contemporary research that unites comics studies with impulses from the fields of gender studies, art history and visual studies as well as postcolonial and Diaspora studies. Further information and contact addresses can be found in the flyer. –> see flyer

Routledge is planning to release the series Routledge Focus on Gender, Sexuality, and Comics Studies, edited by Frederik Byrn Køhlert. This series will collect contributions from the fields of gender and sexuality studies that engage with comics and similar formats as well as their consumption. Further information and contact addresses can be found in the flyer. –> see flyer

The editors call for submissions of relevant publications. Please see the flyers for further information.

Conference Report: ComFor Annual Conference 2018

Posted on 2018 10 29, 00:01

A Conference Report by J. Rehse, P. Zwirner, M. Pollich, Y. Neuhaus, S. Böhm, and L. Respondek (students of the University of Cologne), Photography by Philin Zwirner

From September 17th to 19th 2018 the 13th Annual Conference of the German Society for Comics Studies (ComFor) took place at the University of Cologne. Under the main theme “Spaces Between – Gender, Diversity and Identity in Comics” the conference schedule – planned and organized by Véronique Sina and Nina Heindl – offered a wide range of interesting insights into state-of-the-art research on the nexus between the medium of comics and categories of difference and identity such as gender, dis/ability, age, and ethnicity. Participants who already arrived on Sunday (the day before the official start of the conference) had the opportunity to become familiar with the city of Cologne. In the afternoon, the cultural program started with a guided tour through the exhibition “Avengers Assemble” held at the Cöln Comic Haus. With highly entertaining host(s) and a lot of interesting details, the visit of the exhibition was a perfect start for the conference. Afterwards, the group took a stroll along the Rhine in warm and shiny weather. With a boat-trip along the picturesque panorama of the most beautiful part of Cologne, the pre-program ended and gave the participants the opportunity to enjoy the rest of the evening in the historic center of Cologne.

At the official beginning of the conference on Monday, the conveners Véronique Sina and Nina Heindl, as well as Manuela Günter (Vice-Rector for Gender Equality and Diversity of the University of Cologne), and Stephan Packard (President of the German Society for Comics Studies) welcomed all speakers and guests. They stressed that it is their great pleasure to open a conference that not only focuses entirely on gender, diversity, and identity in comics, but also presents a majority of female speakers as well as an all-female organizational team – a premiere for the German Society for Comics Studies.

Continue reading →