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Call for Papers: History in Comics – History of Comics

10. Annual Conference of the „Gesellschaft für Comicforschung“ (ComFor)
04/09/2015 – 06/09/2015

Goethe-University Frankfurt, Campus Westend

As the title indicates, the contributions and discussions of the conference will focus on comics and graphic literature with a double perspective: One field of interest will consist of the historical topics and subjects, ranging from antiquity to contemporary history, that are depicted in works of sequential art from all over the world and attract the attention of a broad readership. Contributing considerably to an international archive of cultural memory, comics play an important role in academic research as both historical source material and as depictions and interpretations of historical events. This provides a fertile ground for interdisciplinary research that combines approaches from academic disciplines such as literature, art, media, and cultural studies and history in particular.

Another field of interest – closely linked to and in correspondence with the aspects mentioned above – consists of the historicisation of the phenomenon ‘comic’, its contemporary varieties and its readership(s) as well as the analysis of its international developments. Focusing on history and the historical in picture stories, it is adequate and relevant to ask about the lines of tradition of the medium and their preconditions: not least since the debates on new (or seemingly new) trends such as manga and graphic novel, seriality, media culture, the relation of comics and picture books, comics in traditional and modern media, etc. raise questions on the nature of graphic literature. Continue Reading

Workshop-Program “The Mediality and Materiality of Contemporary Comics”

Termin:
2015 04 24 09:00 - 2015 04 26

The-Mediality-and-Materiality-of-Contemporary-Comics_kleinThe 2nd workshop of the Comic Studies Board (AG Comicforschung) of the German Society for Media Studies (GfM), „The Mediality and Materiality of Contemporary Comics“, examines the relation between the mediality and the materiality of comics, particularly focusing on how this relation has changed in the context of digitalization and an increasingly convergent media culture. Various aspects of the topic will be addressed in 10 paper presentations and 5 keynote speeches by international experts.

Friday, April 24, 2015

09:00-09:30 Jan-Noël Thon/Lukas R.A. Wilde (Tübingen)
Introductory Remarks
09:30-10:30 Daniel Stein (Siegen)
Serial Authorship and Comics in the Digital Age
11:00-13:00 Workshop I (Stein)
Sándor Trippó (Debrecen): Doing History in Graphic Literature: An Analysis of Media Convergence in Recent Documentary Comics by Susanne Buddenberg and Thomas Henseler
Jakob Kibala (Hamburg): Infrastructures of Iconographic Knowledge in Comics
14:30-15:30 Karin Kukkonen (Turku)
Materiality with an Attitude: The Case of Transmetropolitan
16:00-18:00 Workshop II (Kukkonen)
Hans-Joachim Backe (Copenhagen): Love in the Kingdom of TV-Heads. Metalepsis as Media Commentary in B.K. Vaughan’s Saga
Markus Oppolzer (Salzburg): Physical and Digital Transformations of David Hine’s Strange Embrace


Saturday, April 25, 2015

09:30-10:30 Ian Hague (ComicsForum)
Circles, Squares and Dirty Windows: A Toolkit for Thinking About the Materiality of Digital Comics
11:00-13:00 Workshop III (Hague)
Christian A. Bachmann (Bochum): The Material of Metamediality: John Byrne – Scott McCloud – Brian Fies
Lukas Etter (Bern): Materiality and Style in Alternative Comics
14:30-15:30 Daniel Merlin Goodbrey (Hertfordshire)
Game Comics: Look, Listen, Play
16:00-18:00 Workshop IV (Goodbrey)
Gabriel S. Moses (Berlin): Serial Boxes #StackCracklePop. Redefining Social Media as a Game-Comics Hybrid
Oskari Rantala (Jyväskylä): Digital Disruptions of Medium-Specific Narrative Techniques Available to Comics


Sunday, April 26, 2015

09:30-10:30 Véronique Sina (Bochum)
(Re)mediation: Comics and Film in the Digital Age
11:00-13:00 Workshop V (Sina)
Sebastian Bartosch (Hamburg): Understanding Comics’ Mediality as an Actor-Network: Some Elements of Translation in the Works of Brian Fies and Dylan Horrocks
Mathias Bremgartner (Bern): In the Intermedial Zone: Comic Page Meets Theatre Stage

The conference takes place in Room 027 of the Neuphilologicum, also known as Brecht-Bau, which is located at Wilhelmstrasse 50, 72074 Tübingen.
Due to limitations regarding the number of participants we would kindly ask you to register your participation at contemporarycomics@graduiertenakademie.uni-tuebingen.de no later than April 15, 2015.

Organization:
Jan-Noël Thon & Lukas R.A. Wilde
Department of Media Studies
University of Tübingen

A Conversation about Comics and Police Brutality with American Cartoonist Keith Knight

Keith KnightDaniel Stein and American Cartoonist Keith Knight, creator of The K Chronicles, (Th)ink, and The Knight Life, discuss the racial politics behind recent cases of American police brutality such as the shooting of Michael Brown in Ferguson, MO. Their conversation centers on the political potential of cartoons and comic strips and on the role of the cartoonist as a cultural commentator.

In Keith Knight’s comics and cartoons, racial conflicts and the peculiar experience of the African American community have always been central themes. “I was writing about racism long before I was making fun of presidents,” he noted in an interview we did a few years ago [see Stein 2011]. Whether it’s his longest-running autobiographical strip The K Chronicles, his nationally syndicated daily strip The Knight Life, or his single-panel cartoon (Th)ink, Knight invests his take on the ironies and absurdities of living in contemporary America with a keen sense of personal insight and a broad spectrum of humor ranging from visual slapstick and verbal puns to full-blown satire. Even though he often tells his audiences that the bulk of his material has a positive rather than an angry slant (an assessment that is certainly true), some of his most controversial and most poignant work attacks the status quo of American race relations.

Continue Reading the Interview

CfP: History in Comics – History of Comics

Termin:
2015 09 04 - 2015 09 06
10. Wissenschaftstagung der Gesellschaft für Comicforschung (ComFor)

10. Annual Conference of the „Gesellschaft für Comicforschung“ (ComFor)
04/09/2015 – 06/09/2015

Goethe-University Frankfurt, Campus Westend

As the title indicates, the contributions and discussions of the conference will focus on comics and graphic literature with a double perspective: One field of interest will consist of the historical topics and subjects, ranging from antiquity to contemporary history, that are depicted in works of sequential art from all over the world and attract the attention of a broad readership. Contributing considerably to an international archive of cultural memory, comics play an important role in academic research as both historical source material and as depictions and interpretations of historical events. This provides a fertile ground for interdisciplinary research that combines approaches from academic disciplines such as literature, art, media, and cultural studies and history in particular.

Another field of interest – closely linked to and in correspondence with the aspects mentioned above – consists of the historicisation of the phenomenon ‘comic’, its contemporary varieties and its readership(s) as well as the analysis of its international developments. Focusing on history and the historical in picture stories, it is adequate and relevant to ask about the lines of tradition of the medium and their preconditions: not least since the debates on new (or seemingly new) trends such as manga and graphic novel, seriality, media culture, the relation of comics and picture books, comics in traditional and modern media, etc. raise questions on the nature of graphic literature. Continue Reading