Monitor is an irregularly published overview of publications from the previous six months that may be of relevance to comics studies scholars. The introductory texts are the respective publishers’. Do you have suggestions or information on new releases that have been overlooked and should be introduced on our website? Please let us know via email: redaktion@comicgesellschaft.de.
→ See previous Monitor posts.

Latinx Comics Studies: Critical and Creative Crossings

Fernanda Díaz-Basteris, Maite Urcaregui (eds.)
Rutgers University Press
April 2025
Publisher’s website

“Latinx Comics Studies: Critical and Creative Crossings offers an intersectional and interdisciplinary approach to analyzing Latinx studies and comics studies. The book draws together groundbreaking critical essays, practical pedagogical reflections, and original and republished short comics. The works in this collection discuss the construction of national identity and memory, undocumented narratives, Indigenous and Afro-Latinx experiences, multiracial and multilingual identities, transnational and diasporic connections, natural disasters and unnatural colonial violence, feminist and queer interventions, Latinx futurities, and more. Together, the critical and creative works in this collection begin to map out the emerging and evolving field of Latinx comics studies and to envision what might be possible in and through Latinx comics.
This collection moves beyond simply cataloguing and celebrating Latinx representation within comics. It examines how comics by, for, and about Latinx peoples creatively and conceptually experiment with the very boundaries of “Latinx” and portray the diverse lived experiences therein.”

Comics and Women’s Mental Health: Five Stories

Palgrave Studies in Comics and Graphic Novels

Jeanne-Marie Viljoen
Palgrave Macmillan
September 2025
Publisher’s website

“This book discusses five recent, hand-drawn, comics memoirs of women’s mental health experiences, not easily captured in words alone. It deals with a range of mental health experiences that are not simply diagnoseable mental disorders, and do not always stem from visible physical conditions (heavy feelings, loneliness, postpartum depression, grief, schizophrenia and suicide). Yet, by also considering the formal qualities of these stories, it is able to focus on embodied aspects of experience, inflecting these with perspectives from a range of women of various ages, sexualities, genders, races and cultures. This book demonstrates how comics are an effective, interdisciplinary means of communicating women’s mental health and wellbeing.”

Comics of the Anthropocene: Graphic Narrative at the End of Nature

José Alaniz
University Press of Mississippi
June 2025
Publisher’s website

“Since the first Earth Day in 1970, how have US comics artists depicted the human-caused destruction of the natural world? How do these representations manifest in different genres of comics like superheroes, biography, underground comix, and journalism? What resources unique to the comics medium do they bring to their tasks? How do these works resonate with the ethical and environmental issues raised by global conversations about the anthropogenic sixth mass extinction and climate change? How have comics mourned the loss of nature over the last five decades? Are comics “ecological objects,” in philosopher Timothy Morton’s parlance?
Weaving together insights from comics studies, environmental humanities, critical animal studies, and affect studies to answer these questions, Comics of the Anthropocene: Graphic Narrative at the End of Nature explores the representation of animals, pollution, mass extinctions, and climate change in the Anthropocene Era, our current geological age of human-induced environmental transformation around the globe.
Artists and works examined in Comics of the Anthropocene include R. Crumb, Don McGregor et al.’s Black Panther, Jack Kirby’s Kamandi: The Last Boy on Earth, the comics of the Pacific Northwest, and Stephen Murphy and Michael Zulli’s landmark alternative series The Puma Blues. This book breaks new ground in confronting our most daunting modern crisis through a discussion of how graphic narrative has uniquely addressed the ecology issue.”

La bande dessinée pluriculturelle et plurilingue: Sprachwissenschaftliche, fachdidaktische und kulturwissenschaftliche Perspektiven

Anke Grutschus, Karoline Heyder, Beate Kern, Marie Schröer (eds.)
Ch. A. Bachmann
September 2025
Publisher’s website

“Der Band versammelt sprach- und kulturwissenschaftliche wie fremdsprachendidaktische Perspektiven auf mehrsprachige und plurikulturelle Comics.
L’ouvrage rassemble des perspectives sur la bande dessinée plurilingue et pluriculturelle provenant de la linguistique, des sciences culturelles ainsi que de la didactique des langues étrangères.”

Back to Black: Jules Feiffer’s Noir Trilogy

Critical Graphics

Fabrice Leroy
Rutgers University Press
May 2025
Publisher’s website

“The legendary American cartoonist and author Jules Feiffer has enjoyed a long and varied career, working on everything from illustrating The Phantom Tollbooth to writing the screenplay for the film Popeye. But some of his most innovative work came very late in his career, with a trio of graphic novels he composed in his eighties: Kill My Mother (2014), Cousin Joseph (2016), and The Ghost Script (2018).
Back to Black provides the first full-length critical analysis of this trilogy, exploring how it pays homage to the iconography and themes of film noir through constant graphic experimentation and a striking reinvention of Feiffer’s distinctive style. Fabrice Leroy shows how Feiffer deftly alternates between dramatic and satirical tones as he plays with the conventions of noir to provide a caustic yet moving commentary on mid-twentieth-century American life. Through close readings of each novel in the trilogy, he examines Feiffer’s singular depiction of the central political issues in the United States from the Great Depression to the 1950s, which still resonate today: unionization struggles, cinematic propaganda, McCarthyism, the American Dream, immigration, antisemitism, civil rights, and gender discrimination. Placing the noir trilogy into the context of Feiffer’s long career, Back to Black demonstrates how he offers a loving pastiche of the genre without losing his unique voice or critical edge.”

Chester Brown

Biographix

Frederik Byrn Køhlert
University Press of Mississippi
March 2025
Publisher’s website

“Best known for his alternative comics, Chester Brown (b. 1960) is one of the most acclaimed and influential cartoonists of the last half century. This first biography provides a critical account of Brown’s life and career, highlighting his role in the evolving comics landscape and tracing his journey from self-publishing minicomics on the streets of Toronto to creating award-winning graphic novels.
Characterized by often minimalist art and unconventional themes, comics such as Yummy Fur, Ed the Happy Clown, I Never Liked You, Louis Riel, and Paying for It have consistently pushed boundaries and confronted taboos. Chester Brown offers unique insight into Brown’s creative process as well the scope of his work and its larger cultural contexts. Organized chronologically, the book provides a full account of the artist’s career, beginning with his failed attempts to break into superhero comics and ending with discussions of his most recent work, in which he blends autobiography with political views on sex work and religion.
The book also examines Brown’s extensive authorial revisions and considers how he has deployed both these and an increasingly voluminous amount of paratextual material in the service of creating a highly distinctive authorial persona that in turn cannot help but influence how we encounter and read his work. Chester Brown pulls back the curtain on this pioneering artist and emphasizes the inseparability of Brown’s art and life, including the myriad ways they have informed each other across the last four decades of comics history.”

Comics des Mittelalters – Mittelaltercomics: Vom Spruchband zur Sprechblase

Populäres Mittelalter

Marion Darilek, Matthias Däumer (eds.)
Transcript
May 2025
Publisher’s website

“Comics sind ein zentrales Medium der Mittelalterrezeption – aber auch mittelalterliche Artefakte weisen bereits comicartige Strukturen auf. Während Comics in der Literaturwissenschaft und Kunstgeschichte längst etabliert sind, fehlt es bislang an mediävistischen Studien, die Mittelalter und Mittelalterrezeption zusammendenken. Ausgehend von der historisch offenen Definition des Comics als ›sequenzielle Kunst‹ analysieren die Beiträger*innen aus Kunstgeschichte, Literaturwissenschaft und -didaktik zum einen ›Comics des Mittelalters‹ und zum anderen ›Mittelaltercomics‹. Dabei zeigen sie, dass Bildgeschichten mehr sind als popularisierende Adaptionen des geschriebenen Wortes – vom Spruchband bis zur Sprechblase, für Forschende wie für Comic-Begeisterte.”

Comics Beyond Text and Image: On the Substance of Visual Narration

Routledge Advances in Comics Studies

Benjamin Fraser
Routledge
September 2025
Publisher’s website

“Comics Beyond Text and Image conceptualizes comics as “bodies,” exploring the substance and the many movements and expressions of comics first and foremost in terms of corporeality.
The book centers on the metaphor of the comics body as a way of opening up our understandings of what comics do. It begins from the position that narrative in comics is corporeal, expressed in and through the visual bodies into which the page can be divided analytically, and from the interaction of the human body with the comics body. Drawing on the philosophy of Baruch Spinoza, the author argues for the primary role of visual narration over textual narration, develops a theory of the comics text as a cohesive and variegated cartography, and shows how thought is expressed in the extensive space of the comics page. This theory is then applied in snapshots of individual comics works that each in their own way continue the philosophical discussions of embodiment.
This book moves beyond traditional modes of narration or narrative and will appeal to students and scholars of comics studies, as well as to those thinking about visual narrative more broadly, and to scholars of Spinoza and Deleuze.”

Comics and Catharsis: Exploring Graphic Narratives of Trauma and Healing

Jordan Tronsgard (ed.)
University Press of Mississippi
August 2025
Publisher’s website

“Comics and Catharsis: Exploring Graphic Narratives of Trauma and Healing explores the idea that trauma and healing hold an imbalance in many forms of literature—especially in the world of comics. Whether it be war-based, national, physical, or sexual trauma, this volume looks at a wide variety of trauma and the psychological pain and devastation that arise during and—crucially for the question of trauma narratives—following the events as the psychological (and often physical) wounds are processed.
Essayists in the collection engage with questions of how comics process trauma through depictions and receptions. Viewing trauma through the lens of comics such as Maus, Persepolis, and Fun Home, as well as works by comics writers who are little known or unknown outside their communities, contributors analyze how trauma is used in artistic style, writing, and overall storytelling. Together, the essays in Comics and Catharsis show how people who have suffered trauma often flock to these works to find a way to acknowledge and process their own suffering.”

The Political Imagination in Spanish Graphic Narrative

Routledge Advances in Comics Studies

Xavier Dapena, Joanne Britland (eds.)
Routledge
April 2025
Publisher’s website

“In a spirit of community and collective action, this volume offers insights into the complexity of the political imagination and its cultural scope within Spanish graphic narrative through the lens of global political and social movements.
Developed during the critical years of the COVID-19 pandemic and global lockdown, the volume and its chapters reflect the interdisciplinary nature of the comic. They employ a cultural studies approach with different theoretical frameworks ranging from debates within comics studies, film and media theory, postcolonialism, feminism, economics, multimodality, aging, aesthetics, memory studies, food studies, and sound studies, among others. Scholars and students working in these areas will find the book to be an insightful and impactful resource.”

The Visionary Art of Franco-Belgian Comics, 1930s to 1960s

Studies in European Comics and Graphic Novels

Hugo Frey, Maaheen Ahmed (eds.)
Leuven University Press
September 2025
Publisher’s website

“Exhibition catalogue ‘Visionary Comics: The collection of Alain Van Passen’, Comic Art Museum – Brussels, 16.09.25 – 07.12.25

Hidden within the millions of panels and magazine pages collected by Alain Van Passen, a devoted Belgian comics collector active from the earliest days of the comics clubs, lies a long-forgotten history of vibrant, surrealist, and even ‘visionary’ images. His pristine collection, built over decades of searching and exchanging comics, offers unprecedented insight into the diverse trajectories of twentieth-century popular publishing. Focusing on comics magazines published between 1935 and 1965, this catalogue reveals a ‘lost world’ of French and Belgian comics, as well as the translations and reworkings of American, British and Italian strips. Ten concise and colourful chapters introduce readers to the zany and fascinating pages and panels across genres such as humour, science fiction, history and adventure. Shedding light on often-forgotten or little-known artists, this volume traces a counter-history of French-language comics. Richly illustrated with largely unseen material, it offers the reader an introduction to the visionary art of French-language comics.”