Annual Conferences
Since 2006, ComFor organizes annual academic conferences on various topics within the field of comics research.
| 21st annual conference, September/October 2026: Figures and Figurations of the Heroic in Comics (Gießen) |
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20th annual conference, October 2025: Childhood and Adolescence in/and Comics (Hamburg) |
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19th annual conference, October 2024: Graphic Medicine (Groningen) |
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18th annual conference, December 2023: Was war, ist, wird Comicforschung – für uns? (Gleichen) |
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17th annual conference, November 2022: Labor and class conditions in comics (Dortmund) Call for Papers |
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16th annual conference, October 2021: Coherence in Comics: An Interdisciplinary Approach (Salzburg) Call for Papers |
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15th annual conference, October 2020: Comics and Agency – Actors, Publics, Participation (Tübingen) Call for Papers |
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14th annual conference, November 2019: Translation, Localisation, Imitation, and Adaptation: Comparative Aspects in Comics Studies (Schwarzenbach a.d. Saale) |
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13th annual conference, September 2018: Spaces Between – Gender, Diversity and Identity in Comics (Cologne) Call for Papers |
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12th annual conference, December 2017: Comics and their Popularity (Bonn) Call for Papers |
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11th annual conference, November 2016: Comics in der Schule – Schule im Comic [Comics in Schools – School in Comics] (Essen) Call for Papers (German) |
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10th annual conference, September 2015: History in Comics – History of Comics (Frankfurt/Main) Call for Papers |
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9th annual conference, September 2014: Drawing Borders, Crossing Boundaries (Berlin) |
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8th annual conference, November 2013: Comics and the Natural Sciences (Erlangen) Call for Papers |
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7th annual conference, September 2012: Comics and Politics (Freiburg) Call for Papers |
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6th annual conference, November 2011: Reportagecomics. Dokumentarische Comics. Comicbiographien [Documentary Comics: Journalism and Biography] (Passau) |
| 5th annual conference, November 2010: Bilder des Comics – Visualität, Sequenzialität, Medialität [Pictures of Comics: Visuality, Sequentiality, Mediality] (Gießen) Program |
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4th annual conference, November 2009: Erzählen im Comic [Narration in Comics] (Köln) |
| 3rd annual conference, November 2008: Der Comic als Gegenstand der Kultur- und Sozialwissenschaften [Comics as a Subject of Cultural and Social Studies] (Koblenz) |
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| 2nd annual conference, November 2007: Comicforschung als interdisziplinäre Aufgabe [Comic Studies as an Interdisciplinary Task] (Koblenz) |
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1st conference, November 2006: Forschungsberichte zu Struktur und Geschichte der Comics in Deutschland [Research Reports on the Structure and History of Comics in Germany] (Koblenz) Program Conference Proceedings |
20th ComFor-annual conference 2025: „Childhood and Adolescence in/and Comics“ in Hamburg
From October 8-10, 2025, the 20th ComFor-annual conference will take place at the University of Hamburg, organized by Astrid Böger, Sylvia Kesper-Biermann, Jennifer S. Henke, and Christina Meyer. Keynote speaker are Maaheen Ahmed and Felix Giesa. On top of this, the Hamburg-based artist Sascha Hommer will be joining us for a talk about his recently-published work Das Kalte Herz! The poster illustration was created by Kilian Wilde (https://www.wilde-grafik.com/
“Comics and childhood are, and long have been, inextricably linked,” writes Philip Nel (127). During this year’s annual meeting of the German Society for Comics Studies (ComFor e.V.), we want to take a closer look at and discuss together how, when and where these connections between comics and childhood as well as comics and adolescence manifest themselves and with what implications.
Such links between young readers and comics include, for instance, repeated attempts to monitor and regulate reading material for children – an example from the nineteenth century that can be mentioned here is Anthony Comstock’s (1883) Traps for the Young, a key player in the formation of the ‘degeneration of society’ discourse in the U.S. in the 1880s and 1890s, or, roughly sixty years later, the (public) debates revolving around the alleged dangers of – and manifold practices of containment targeting – mass cultural products, artefacts and phenomena that mounted their incursion into different cultures during the 1950s; in the U.S., one of the most prominent examples in this context is the Senate Judiciary Subcommittee on Juvenile Delinquency and the hearings in which different US senators (and one member of the House of Commons in Canada), psychologists (among others: Fredric Wertham), comics artists (among others: William Gaines), publishers (among others: Dell Publications) and comics distributors, drug store owners (where comics were on display) and news companies discussed whether (EC) comic books, specifically superhero and horror and crime comic books, had any negative impact on children. Similarly, in Germany, Kurt-Werner Hesse’s edited volume on Jugendgefährdung (1955) and other publications of the 1950s put the focus on the pathology of mass communication and amusement, e.g. comics. As Nel summarizes, “parallel debates over the suitability of comics for children took place around the world, prompting, or at least helping to justify, Australia’s ban on the importation of American comic books (1940-1959); Canada’s Bill 10 […], banning crime comics (1949); France’s Loi du 16 juillet sur les publications dessinées à la jeunesse […]; and Britain’s Children’s and Young Person’s (Harmful Publications) Act” (129).
The relationship between comics and childhood becomes manifest, too, in the reflections on the pedagogical value and didactic potential of comics and other forms of graphic literature in, for instance, (foreign) language teaching, art education, and political education. Early examples include special issues of different scholarly journals such as, for instance, The Journal of Educational Sociology (Dec., 1944, Vol. 18), or journals that, during the 1970s, published articles on the use(-fulness) of comics as a teaching tool (e.g. Der Deutschunterricht), or monographs such as Alfred Clemens Baumgärtner’s Die Welt der Comics (1965), to name but few.
The links between comics and children and adolescents outlined here are, obviously, just a selection of subjects we want to discuss together during this year’s annual meeting of the ComFor.
Continue to the Conference Homepage
Download Final Program (07.10.2025)
NEW: Book of Abstracts (07.10.2025)
Download Registration Form (for Guests)
CfP 20th ComFor-Annual Conference 2025 in Hamburg: „Childhood and Adolescence in/and Comics“
19th ComFor-annual conference 2024: „Graphic Medicine“ in Groningen
From October 23-25, 2024, the 19th annual conference of the Society for Comics Studies (ComFor) will take place at the University of Groningen in the Netherlands. The event is organized by Janina Wildfeuer and Barbara Postema. Keynote speakers are Elisabeth El Refaie (Cardiff University), Irmela Krüger-Fürhoff (Freie Universität Berlin) and Erin La Cour (Vrije Universiteit Amsterdam).
“Initiated in 2007, the area of study called ‘Graphic Medicine’ has developed into an impressive field of research that is today broadly understood as “the intersection of the medium of comics and the discourse of healthcare” (Czerwiec et al. 2015). As a discipline, it understands itself as an ‘emerging area of interdisciplinary academic study’ including both theoretical and methodological developments from several disciplines connected to comics studies as well as practical insights and applications from medical practitioners in the healthcare context.
The conference would like to bring these theoretical and methodological developments as well as practical insights and applications together and offer a fruitful place for discussion and critical evaluation of the discipline and its most recent developments and insights. We aim at opening the conference again for an international context with topics such as: Graphic Medicine for Scholarship, Graphic Storytelling and Medical Narrative; Graphic Pathography; Iconography of Illness; practical applications of Graphic Medicine.”
CfP 19th annual ComFor conference 2024 in Groningen: “Graphic Medicine”
18th ComFor Annual Conference 2023: „What was, is, becomes comics studies – for us?“
From December 11-13, 2023, the 18th annual conference of the Society for Comics Studies (ComFor) will take place at the Stiftung Akademie Waldschlösschen in 37130 Gleichen. The event will be organized by Christina Meyer, Vanessa Ossa, and Lukas R.A. Wilde.
On the occasion of ComFor’s upcoming tenth anniversary as a registered association, this timespan will be subject to a critical reflection: How has comics studies developed and changed over the past ten years? Which recurring, but also new questions and research perspectives have we been dealing with since 2014? Which disciplinary shortcomings or desiderata do we need to address more precisely together in the future? „What was, is, becomes comics studies – for us?“ quite literally addresses our institution as well as the biographically shaped perspectives of our participating members.
Individual seats to participate in the lectures and panel discussions are still available, inquiries can be sent informally to vorstand@comicgesellschaft.de.
Program of the ComFor Annual Conference 2021: “Coherence in Comics”
The ComFor web editorial team is back from its summer break with an announcement on its own behalf: the 16th annual conference of the German Society for Comics Studies (ComFor) will take place from 14-16 October 2021!
Announcement:
“The 16th Annual Conference of the German Society for Comics Studies (ComFor) approaches the topic “Coherence in Comics” from an interdisciplinary perspective. We seek to not only negotiate and explain meaning-making across panel borders and semiotic modes, but also across disciplines, seeking commonalities, shared interests and points of contact. […] We are looking forward to keynotes by Janina Wildfeuer, Assistant Professor in the Department of Communication and Information Studies at the University of Groningen, Barbara Postema, author of Narrative Structure in Comics: Making Sense of Fragments, and Charles Forceville, Associate Professor at the University of Amsterdam (Department of Media Studies). Apart from the conference’s central focus on coherence, ComFor aims to promote interdisciplinary cooperation and dialogue across all areas of comics research. The 16th Annual Conference will therefore continue the tradition of an open workshop format that allows researchers to present and gather feedback on various projects within comics studies, without any thematic restrictions. We are also excited to announce a comic reading (in German) by Vina Yun as part of this year’s program, arranged by the Austrian Comics Society (OeGeC – Österreichische Gesellschaft für Comic-Forschung und -Vermittlung).”
Registration:
The conference will be held online via WebEx; there is no conference fee; registration by email to comfor2021@sbg.ac.at is requested.
Organisators:
- Elisabeth Krieber (Universität Salzburg)
- Markus Oppolzer (Universität Salzburg)
- Hartmut Stöckl (Universität Salzburg)
Programme:
Thursday, 14 Oct., 2021
10:30 – 11:30 – Members’ Meeting of the Society for Comics Studies (ComFor) (in German)
11:30 – 13:00 – Lunch Break
13:00 – 13:15 – Conference Opening
13:15 – 14:15 – OPEN FORUM I
Mihaela Precup and Dragoș Manea – “The Overfamiliar Perpetrator: Hipster Hitler, Transcultural Memory, and the Banalisation of Genocide”
Pedro Réquio – “Revolutionary Comics/Revolutionary Politics: Portugal in the 1970’s”
14:15 – 14:45 – Break
14:45 – 15:45 – OPEN FORUM II
Ahlam Almohissen – “Multimodal Humour in Cartoons: Social Semiotic Perspective”
Xiaolan Wei – “Coherence Constructed through Comics and Spoken Language in Chinese College Students’ Five Minutes English Academic Speech”
15:45 – 16:15 – Break
16:15 – 17:30 – KEYNOTE Janina Wildfeuer
“Demystifying the Magic. A Multimodal Linguistic Approach to Coherence in Visual Narratives”
17:30– 18:00 – Break
18:00 – 19:00 – AWARD CEREMONY
Martin-Schüwer-Publication Prize 2021 for Excellence in Comic Studies
Friday, 15 Oct., 2021
09:00 – 10:30 – PANEL 1: FORMS AND AESTHETICS OF COHERENCE (Panel Chair: Stephan Packard)
Elisabeth El Refaie – “A Tripartite Classification of Visual Metaphor as a Basis for Studying Coherence in Comics”
Martin Foret – “‘Like a Speech’ or Searching for Coherence between Codes Used in Comics: The Interplay of Various Codes within the Specific Complex Code (or Better Meta-Code) of Comics”
Lukas R.A.Wilde – “Essayistic Comics: Non-narrative Coherence and Pictogrammatics with Schlogger, Sousanis, Barry”
10:30 – 11:00 – Break
11:00 – 12:30 – PANEL 2: COHESION IN COMICS: MULTIMODAL AND PRAGMATICIST APPROACHES (Panel Chair: Janina Wildfeuer)
Chiao-I Tseng – “Structures of Cohesion in Comics”
John Bateman – “Nonlinear Coherence? Steps Beyond the Sequence in Sequential Art”
Stephan Packard – “Cohesion in Panel Graphs: A Psychosemiotic Approach”
12:30 – 14:00 – Lunch Break
14:00 – 15:30 – PANEL 3: IN(COHERENT) SPACES AND NARRATORS (Panel Chair: Mihaela Precup)
Barbara Margarethe Eggert – “Comics as Coherence Machines? Exemplary Observations on the Functional Spectrum of Museum Comics”
Martha Kuhlman -“Comics and the Miniature: Thinking Inside the Box”
Elizabeth Allyn Woock – “The Graphic ‘I’ in Academic Comics”
15:30 – 16:00 – Break
16:00 – 17:15 – KEYNOTE: Charles Forceville: “Visual and Multimodal (Meta)Representation of Speech, Thought, and Sensory Perception in Comics”
17:15 – 17:30 – Break
17:30 – 19:00 – COMIC READING (in German)
presented by the Austrian Comics Society (OeGeC Österreichische Gesellschaft für Comic-Forschung und -Vermittlung)
Vina Yun: Homestories
Saturday, 16 Oct., 2021
09:00 – 11:00 – PANEL 4: Linguistic and Cognitive Approaches to the Visual Language of Comics (Panel Chair: Neil Cohn)
Neil Cohn – “Grammar of the Visual Language of Comics”
Irmak Hacımusaoğlu – “What Are Motion Lines Anyways?”
Bien Klomberg – “Calvin the Elephant: Resolving Discontinuity through Conceptual Blends”
Lenneke Lichtenberg – “Understanding Lightbulb Moments in Comics: The Processing of Visual Metaphors that Float above Characters’ Heads”
11:00 – 11:30 – Break
11:30 – 12:45 – KEYNOTE Barbara Postema – “Narrative Structure in Wordless Comics”
12:45 – 14:30 – Lunch Break
14:30 – 16:00 – PANEL 5: FRACTURED BODIES AND IDENTITIES (Panel Chair: Barbara Margarete Eggert)
Tina Helbig – “Frames as Skin and Comic Book Pages as a Fractured Bodies in Neil Gaiman’s The Sandman and in Emily Carroll’s Short Horror Comics”
Carolina González Alvarado – “A Perverse Beauty and the Mechanisms of Control over the Body: An Analysis of Helter Skelter by Kyoho Okazaki”
Rita Maricocchi – “(In)coherencies in the Manifestations of German Identity in Birgit Weyhe’s Madgermanes”
16:00 – 16:30 – Break
16:30 – 18:00 – PANEL 6: COHERENCE IN SUPERHERO NARRATIVES: THE CHALLENGES OF SERIALIZATION AND WORLD-BUILDING (Panel Chair: Lukas R.A. Wilde)
Mark Hibbett – “Image Quotation of Past Events to Enforce Storyworld Cohesion in John Byrne’s Fantastic Four”
Amadeo Gandolfo – “Do the Collapse: Final Crisis and the Impossible Coherence of the Superhero Crossover”
Scott Jordan and Victor Dandridge Jr. – “Invincible: The Many Shapes, Forms, and Sizes of Coherence through Comics”
18:00 – 18:15 – Conference Closing
Further information and a detailed programme can be found on Event website.
CFP: Coherence in Comics: An Interdisciplinary Approach
Schedule for the Annual ComFor Conference 2020: „Comics & Agency“
15th Annual Conference of the German Society for Comic Studies:
Comics & Agency: Actors, Publics, Participation
Online | Live via Zoom
Registration:
There is no conference fee, but in order to participate you will need to register by sending an email to comfor@comicgesellschaft.de no later than 5 October 2020.
Organisers:
Vanessa Ossa (University of Cologne)
Jan-Noël Thon (Norwegian University of Science and Technology)
Lukas R. A. Wilde (University of Tuebingen)
Schedule:
| Thursday, 8 October 2020 | |
| 13:30 CEST | Welcome and Introduction: Christina Meyer (Free University Berlin), Vanessa Ossa (University of Cologne), Jan-Noël Thon (Norwegian University of Science and Technology), Lukas R. A. Wilde (University of Tuebingen) |
| Panel 1: Digital Agency | |
| 14:00 CEST |
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| 15:30 CEST | Coffee Break |
| Panel 2: Intermedial Agency | |
| 16:00 CEST |
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| 17:30 CEST | Coffee Break |
| Keynote 1 | |
| 18:00 CEST | Henry Jenkins (University of Southern California): Comics and Stuff |
| Award Ceremony: Martin-Schüwer-Preis 2020 | |
| 20:00 CEST | Dorothee Marx (University of Kiel), Daniel Stein (University of Siegen), and the Winner of the Martin-Schüwer-Preis |
| Friday, 9 October 2020 | |
| Panel 3: Authorial Agency | |
| 11:30 CEST |
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| 13:00 CEST |
Lunch Break |
| Panel 4: Editorial Agency | |
| 14:00 CEST |
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| 15:30 CEST | Coffee Break |
| Panel 5: Distributional Agency | |
| 16:00 CEST |
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| 17:30 CEST | Coffee Break |
| Keynote 2 |
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| 18:00 CEST | Mel Gibson (Northumbria University): Librarians, Agency, Young People, and Comics: Graphic Account and the Development of Graphic Novel Collections in Public Libraries in Britain in the 1990s |
| Virtual Comic Museum Erlangen | |
| 20:00 CEST | Lisa Neun and Ralf Marczinczik |
| Saturday, 10 October 2020 | |
| Open Forum | |
| 11:30 CEST |
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| 13:00 CEST |
Lunch Break |
| Panel 7: Fan Agency (Part I) | |
| 14:00 CEST |
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| 15:30 CEST | Coffee Break |
| Panel 8: Fan Agency (Part II) | |
| 16:00 CEST |
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| 17:30 CEST | Coffee Break |
| Concluding Discussion: Where Do We Go from Here? | |
| 18:00 CEST | Vanessa Ossa (University of Cologne), Jan-Noël Thon (Norwegian University of Science and Technology), Lukas R. A. Wilde (University of Tuebingen) |
Download schedule as PDF file.















