Annual Conferences

Since 2006, ComFor organizes annual academic conferences on various topics within the field of comics research.

15th annual conference, October 2020:
Comics and Agency – Actors, Publics, Participation (Tübingen)
Program & Registration
Call for Papers
14th annual conference, November 2019:
Translation, Localisation, Imitation, and Adaptation:
Comparative Aspects in Comics Studies (Schwarzenbach a.d. Saale)

Program
Registration
Accomodation
Directions
Call for Papers
13th annual conference, September 2018:
Spaces Between – Gender, Diversity and Identity in Comics (Cologne)
Call for Papers
Directions & Accomodation
Exhibitions
Program & Registration
Conference Report
Conference Proceedings
12th annual conference, December 2017:
Comics and their Popularity (Bonn)
Call for Papers
Program
Conference Report
11th annual conference, November 2016:
Comics in der Schule – Schule im Comic [Comics in Schools – School in Comics] (Essen)
Call for Papers (German)
Program (German)
Conference Report (German)
10th annual conference, September 2015:
History in Comics – History of Comics (Frankfurt/Main)
Call for Papers
Program
Conference Proceedings
9th annual conference, September 2014:
Drawing Borders, Crossing Boundaries (Berlin)
Call for Papers
Program
Conference Proceedings
8th annual conference, November 2013:
Comics and the Natural Sciences (Erlangen)
Call for Papers
Program
Conference Report (German)
Conference Proceedings
7th annual conference, September 2012:
Comics and Politics (Freiburg)
Call for Papers
Program
Conference Proceedings
Media Coverage
6th annual conference, November 2011:
Reportagecomics. Dokumentarische Comics. Comicbiographien [Documentary Comics: Journalism and Biography] (Passau)
CfP and Program
Conference Report
Conference Proceedings
5th annual conference, November 2010:
Bilder des Comics – Visualität, Sequenzialität, Medialität [Pictures of Comics: Visuality, Sequentiality, Mediality] (Gießen)
Program
Photographic Documentation
Online-Publication of the Proceedings
4th annual conference, November 2009:
Erzählen im Comic [Narration in Comics] (Köln)
Program
All Abstracts
Conference Proceedings
3rd annual conference, November 2008:
Der Comic als Gegenstand der Kultur- und Sozialwissenschaften [Comics as a Subject of Cultural and Social Studies] (Koblenz)
Program
Conference Report
2nd annual conference, November 2007:
Comicforschung als interdisziplinäre Aufgabe [Comic Studies as an Interdisciplinary Task] (Koblenz)
Program
1st conference, November 2006:
Forschungsberichte zu Struktur und Geschichte der Comics in Deutschland [Research Reports on the Structure and History of Comics in Germany] (Koblenz)
Program
Conference Proceedings

Schedule for the Annual ComFor Conference 2020: „Comics & Agency“

Termin:
2020 10 08 - 2020 10 10

15th Annual Conference of the German Society for Comic Studies:

Comics & Agency: Actors, Publics, Participation

Online | Live via Zoom

Registration:

There is no conference fee, but in order to participate you will need to register by sending an email to comfor@comicgesellschaft.de no later than 5 October 2020.

Organisers:

Vanessa Ossa (University of Cologne)
Jan-Noël Thon (Norwegian University of Science and Technology)
Lukas R. A. Wilde (University of Tuebingen)

Schedule:
Thursday, 8 October 2020
13:30 CEST Welcome and Introduction: Christina Meyer (Free University Berlin), Vanessa Ossa (University of Cologne), Jan-Noël Thon
(Norwegian University of Science and Technology), Lukas R. A. Wilde (University of Tuebingen)
Panel 1: Digital Agency
14:00 CEST
  • Nicolle Lamerichs (HU University of Applied Sciences Utrecht):
    Comics Interfaces: Digital Innovation and Fandom on Webtoon
  • Giorgio Busi Rizzi (Ghent University):
    Won’t Somebody Please Think of the Readers? Digital Comics Enhancing and Undermining the Agency of Their Users
  • Hans-Joachim Backe (IT University of Copenhagen):
    Who Controls the Speech Bubbles? Refl ecting on Agency in Comic-Games
15:30 CEST Coffee Break
Panel 2: Intermedial Agency
16:00 CEST
  • Manuel Herrero-Puertas (National Taiwan University):
    “Unconquerable and Simple”: Whitman, Democracy, Comics
  • Greice Schneider (Universidade Federal de Sergipe):
    Telling Stories with Photo-Archives: Narrativizing Visual Archives through Documentary Comics
  • Jared Gardner (The Ohio State University):
    Playing Comics, Reading Games
17:30 CEST Coffee Break
Keynote 1
18:00 CEST Henry Jenkins (University of Southern California):
Comics and Stuff
Award Ceremony: Martin-Schüwer-Preis 2020
20:00 CEST Dorothee Marx (University of Kiel), Daniel Stein (University of Siegen), and the Winner of the Martin-Schüwer-Preis

 

Friday, 9 October 2020
Panel 3: Authorial Agency
11:30 CEST
  • Georges Felten (University of Zurich):
    Moving Pictures: “Anti-Authorial” Dynamics in Wilhelm Busch’s Max und Moritz
  • Laura Glötter (Heidelberg University):
    Comics Artist versus Artistic Genius: Authorship and Metafi ction in Fiske’s and Kverneland’s Kanon
  • Jörn Ahrens (University of Giessen):
    Ada in the Jungle and Aya in Yop City: Doing Gender and Doing Africa
13:00
CEST
Lunch Break
Panel 4: Editorial Agency
14:00 CEST
  • Jaqueline Berndt (Stockholm University): Distributive Agents Coming to the Fore: The Manga Editor in Recent Media Texts
  • Barbara Eggert (University of Art and Design Linz):
    Distribution and Publication as Topics in Autobiographical Graphic Novels and Comics Anthologies
  • Jessica Burton (University of Luxembourg):
    Tintin’s Global Journey: Invisible Actors behind a Europeanisation of the Comics Industry in the 1960s
15:30 CEST Coffee Break
Panel 5: Distributional Agency
16:00 CEST
  • Shawna Kidman (University of California San Diego):
    Licensing and Licensors as Agents of Change in US Comic Book Publishing
  • Romain Becker (École Normale Supérieure de Lyon):
    How Reprodukt Creates Series
  • Ian Horton (University of the Arts London) and John Miers (Kingston University London):
    Issues of Agency when Archiving and Displaying Mini-Comics from the Les Coleman Collection
17:30 CEST Coffee Break
Keynote 2
18:00 CEST Mel Gibson (Northumbria University):
Librarians, Agency, Young People, and Comics: Graphic Account and the Development of Graphic Novel Collections in Public Libraries in Britain in the 1990s
Virtual Comic Museum Erlangen
20:00 CEST Lisa Neun and Ralf Marczinczik

 

Saturday, 10 October 2020
Open Forum
11:30 CEST
  • Cathérine Lehnerer (Academy of Fine Arts Vienna):
    Comic Workshops: New Ways to Shape Participation in Education
  • Janina Wildfeuer, Ielka van der Sluis, and Gisela Redeker (University of Groningen):
    No Laughing Matter? Analyzing Instructional First-Aid Comics
  • Mark Hibbett (University of the Arts London):
    Toward a Tool for Measuring Transmedia Character Coherence
13:00
CEST
Lunch Break
Panel 7: Fan Agency (Part I)
14:00 CEST
  • Benjamin Woo (Carleton University):
    The Self-Commodifi cation of Comics Fandoms: From “Active” to “Agentic” Audiences?
  • Matthew J. Smith (Radford University):
    Pilgrimage to Hall H: Fan Agency at Comic-Con
  • Suzanne Scott (University of Texas at Austin):
    Towards an Aesthetics of Noncompliance: Comics Iconography and Fan Tattoos
15:30 CEST Coffee Break
Panel 8: Fan Agency (Part II)
16:00 CEST
  • Safiyya Hosein (Ryerson University/York University):
    Muslim Manga: Fandom Discourses and Issues of Cultural Participation
  • Anke Marie Bock and Ashumi Shah (University of Augsburg):
    Death of the Endless and Fan Projections
  • Christopher Pizzino (University of Georgia):
    Comics and the Omnipotent Reader: The Body of Richard C. Meyer
17:30 CEST Coffee Break
Concluding Discussion: Where Do We Go from Here?
18:00 CEST Vanessa Ossa (University of Cologne), Jan-Noël Thon (Norwegian University of Science and Technology),
Lukas R. A. Wilde (University of Tuebingen)

 

Download schedule as PDF file.

Program of the Annual ComFor Conference 2019: “Comparative Aspects in Comics Studies”

14. Annual Conference of the Society for Comics Studies (ComFor):

Translation, Localisation, Imitation, and Adaptation: Comparative Aspects in Comics Studies

 

Program

D| Talk or panel in German

E| Talk or panel in English

Freitag | Friday
11.30 am D| Member’s meeting of the Society for Comics Studies (ComFor)
1.00 pm Mittagspause | Lunch Break (Snacks)
Offenes Forum I | Open Forum I
1.30 pm D| Lukas Etter:

»It’s a relief« Aline Kominsky-Crumbs spielerische Imitation und Subversion von Stildiskursen

2.00 pm D| Marie Müller:

Prudhommes Adaption von Struths Museum Photographs

2.30 pm E| Jennifer Neidhardt:

»I knew there was something in the closet«: Marvel’s Spider-Man and Queer Identity

3.00 pm Pause | Break
Offenes Forum II | Open Forum II
3.15 pm E| Katharina Serles and Marina Rauchenbacher:

Visualities of Gender in German-language Comics

3.45 pm E| Jeff Thoss, Ian Hague, Ian Horton, and Sylvia Kesper-Biermann:

Lost in Translation: Connecting English-language and German-language Comics Studies

4.15 pm E| Ivan Petrovic:

Translating Comics between Cultures and within Languages: The Case of Yugoslavian Comics in German-Speaking Countries

4.45 pm Pause | Break
5.00 pm Begrüßung | Commencement
D| Panel I: Comic-Übersetzung und ihre populäre Vermittlung
5.15 pm Alexandra Hentschel (Schwarzenbach):

Das einzige Museum für Comic-Übersetzung

5.45 pm Nassrin Sadeghi (Dortmund):

comic+cartoon. Pläne zum neuen Schauraum für Comic-Kunst in Dortmund

6.15 pm Pause | Break
E| Keynote I: Practice in Translation
6.30 pm David Zane Mairowitz (Berlin): KafKa in KomiKs
8.00 pm Abendessen | Dinner (Buffet)

 

Samstag | Saturday
E| Keynote II: International Perspectives on Comics Translation
9.00 am Federico Zanettin (Perugia):

New Methods in Examining Comics in Translation

10.15 am Pause | Break
E| Panel II: Translation and Localisation
10.30 am Laura Antola (Turku):

»If the other Nordic countries wish to publish rubbish, they can go ahead!« Transnational strategies for adapting the Marvel Universe in Finland

11.15 am Romain Becker (Lyon):

»Just according to keikaku (keikaku means plan)«:How fans translate (or don’t)

12.00 noon Pause | Break
12.15 pm Keren Zdafee (Tel Aviv):

Egyptianizing Mickey and Minnie? On cultural transfers and the domestication of Western imagery in the Egyptian satirical press of the 1930s

1.00 pm Lynn L. Wolff (Michigan):

Translation, Modification, Visualization: Comparative Aspects of Nora Krug’s Heimat

1.45 pm Mittagspause | Lunch Break
E| Panel III: Intermedia Adaptation
3.00 pm Olga Kopylova (Sendai):

Lines and Layers, Look and Feel: Transformations of style in manga-to-anime adaptations

3.45 pm Elisabeth Krieber (Salzburg):

Adapting the Queer Autographic Self: Fun Home from the Comics Page to the Broadway Stage

4.30 pm Pause | Break
4.45 pm Marina Rauchenbacher (Wien):

Who (and where) is Alice? Anke Feuchtenberger’s Adaptation of Lewis Carroll’s Alice

5.30 pm Pause | Break
6.00 pm Preisverleihung & Preisvortrag | Award & Special Keynote

Martin-Schüwer-Publikationspreis für herausragende Comicforschung

Martin Schüwer Publication Award for Excellence in Comics Studies

7.00 pm Conference Dinner

 

Sonntag | Sunday
D| Keynote III: Kulturwissenschaftliche Translatologie
9.00 am Natalie Mälzer (Hildesheim):

Comic-Übersetzungen und Adaptionen als kulturelle Praxis

10.15 am Pause | Break
D| Panel IV: Übersetzungen und Lokalisierungen
10.30 am Christine Hermann (Wien):

Die vielen Namen von Suske und Wiske. Ein flämischer Abenteuercomic in deutscher Übersetzung

11.15 am Yun-Jou Chen (Taiwan/Mainz):

»Popalania, the perfect country« Neue Überlegungen zu dem Fall der Popeye-Übersetzung (1967-1968) in Taiwan

12.00 noon Pause | Break
D| Panel V: Intermediale Adaptionen
12.15 pm Dietrich Grünewald (Koblenz/Reiskirchen):

Die Kunst der Adaption – Oscar Wilde: Das Bildnis des Dorian Gray

1.00 pm Linda-Rabea Heyden (Jena/Berlin):

Klassikeradaption im Comic funktional und medial,

am Beispiel von Goethes Faust

1.45 pm Mittagspause | Lunch Break

& Treffen der AG Diversity | Meeting of the Committee for Diversity

3.00 Markus Oppolzer (Salzburg):

Nachgezeichnete Leben:Die Künstlerbiografie am Beispiel Vincent van Goghs

3.45 pm Véronique Sina (Köln):

Queering Comic and Film: Coming out und coming of age in Le Bleu est

une couleur chaude (2010) und LA VIE D’ADÈLE (2013)

4.30 pm Pause | Break
D| Panel VI: Noch einmal: Vergleichen
4.45 pm Jörn Ahrens (Gießen):

Die Erfindung des Comic in Deutschland. Frühe Perspektiven der Comicforschung

5.30 pm Ole Frahm (Frankfurt am Main): Phantom. Phantomias.
6.15 pm Abschlussdiskussion | Conclusion
~7.00 pm Abreise | Departure

 

Organisers:

Christian Bachmann, Juliane Blank, Alexandra Hentschel and Stephan Packard

See also:
Registration
Accomodation
Directions

Conference Report: ComFor Annual Conference 2018

A Conference Report by J. Rehse, P. Zwirner, M. Pollich, Y. Neuhaus, S. Böhm, and L. Respondek (students of the University of Cologne), Photography by Philin Zwirner

From September 17th to 19th 2018 the 13th Annual Conference of the German Society for Comics Studies (ComFor) took place at the University of Cologne. Under the main theme “Spaces Between – Gender, Diversity and Identity in Comics” the conference schedule – planned and organized by Véronique Sina and Nina Heindl – offered a wide range of interesting insights into state-of-the-art research on the nexus between the medium of comics and categories of difference and identity such as gender, dis/ability, age, and ethnicity. Participants who already arrived on Sunday (the day before the official start of the conference) had the opportunity to become familiar with the city of Cologne. In the afternoon, the cultural program started with a guided tour through the exhibition “Avengers Assemble” held at the Cöln Comic Haus. With highly entertaining host(s) and a lot of interesting details, the visit of the exhibition was a perfect start for the conference. Afterwards, the group took a stroll along the Rhine in warm and shiny weather. With a boat-trip along the picturesque panorama of the most beautiful part of Cologne, the pre-program ended and gave the participants the opportunity to enjoy the rest of the evening in the historic center of Cologne.

At the official beginning of the conference on Monday, the conveners Véronique Sina and Nina Heindl, as well as Manuela Günter (Vice-Rector for Gender Equality and Diversity of the University of Cologne), and Stephan Packard (President of the German Society for Comics Studies) welcomed all speakers and guests. They stressed that it is their great pleasure to open a conference that not only focuses entirely on gender, diversity, and identity in comics, but also presents a majority of female speakers as well as an all-female organizational team – a premiere for the German Society for Comics Studies.

Continue reading

Exhibition Poster and Program Flyers for ComFor 2018

Termin:
2018 07 11 12uhr - 2018 09 20
„SuperQueeroes. Unsere LGBTI*-Comic-Held_innen“

In less than two and a half months, ComFor’s Annual Conference 2018 will take place at the University of Cologne on the topic “Spaces Between – Gender, Diversity and Identity in Comics”. At the same time one can visit the exhibition “SuperQueeroes. Unsere LGBTI*-Comic-Held_innen”, which was designed in 2016 by the Schwules Museum Berlin and shown with great success. For the first time, queer comic heroes of various kinds were thematized in the German museum world. As part of the ComFor annual conference, the exhibition was brought to Cologne under the organization of Christine Gundermann and reworked for the university by students as part of a seminar.
The exhibition can be visited from 11 July to September 20 in the foyer of the Philosophikum of the University of Cologne. Vernissage is on the 11th of July from 12 o’clock, opening with a talk by and about comic artist Ralf König . Subsequently, the exhibition will be opened by Dr. Kevin Clarke, curator of the Schwules Museum Berlin.

The organizers of the conference, Véronique Sina and Nina Heindl, have now also published digital program flyers in German and English (design: Julia Eckel), which not only provide quick overviews of the topics and the schedule of the conference, but – with motifs by artist Aisha Franz – also turned out to be very appealing:

Program flyer in German
Program flyer in English

Continue to the conference’s page with information on the registration process

Conference Schedule of the ComFor-Conference 2018: “Spaces Between”

Termin:
2018 09 17 - 2018 09 19

13th Annual Conference of the German Society for Comics Studies (ComFor):

Spaces Between – Gender, Diversity and Identity in Comics

Illustration: Aisha Franz 2018

Continue to the Call for Papers
Continue to information about the Exhibition
Continue to information about Directions & Accomodation
Continue to the Flyer

Continue to the Registration

Conference Schedule:

Monday, 17. September 2018
10:30h Meeting of the German Society for Comics Studies (ComFor)
12:00h Lunch Break
13:00h Welcome & Introduction
Conference Organisers | ComFor-Chair | Vice-Rectorate for Gender Equality and Diversity of the University of Cologne
13:30h Artistic Lecture
Philip Crawford (Berlin, GER)
My Noose Around That Pretty’s Neck (abstract)
Chair: Barbara Margarethe Eggert
14:15h Panel 1: Representations of Dis/Ability
Chair: Anne Waldschmidt
Olga Tarapata (Köln, GER)
Between Crooked Lines: Disability in E.T. Russian’s Feminist Comic Books (abstract)
Natalie Veith (Frankfurt a.M., GER)
Othering Voices and the Voice of the Other: The Depiction of Joseph Merrick in From Hell (abstract)
Jonas Neldner (Köln, GER)
Noir Surrealism: The Hybrid Bodies of Charles Burns (abstract)
15:45h Coffee Break
16:15h Panel 2: Graphic Medicine: Intersections of Comics, Health and Corporeality
Chair: Christina Maria Koch
Susan Merrill Squier (Pennsylvania, USA)
The Spaces Between: Negotiating Gender and Race in Transdisciplinary Comics Collaborations (abstract)
Irmela Marei Krüger-Fürhoff (Berlin, GER)
Telling and Showing Dis/Continuities: Comics on Dementia (abstract)
Alexandra Alberda (Poole, UK)
The Gaze, the Other and the Exhibit: Curating Graphic Medicine (abstract)
17:45h Coffee Break
18:30h Keynote 1
Tahneer Oksman (New York City, USA)
An Art of Loss (abstract)
Moderation: Véronique Sina
 20:30h Conference Dinner Haus Unkelbach (Luxemburger Str. 260 | 50937 Cologne)

 

Tuesday, 18. September 2018
9:30h Panel 3: Making Comics and Exhibiting their Physicality
Chair: Christine Gundermann
Erin La Cour (Amsterdam | Utrecht, NL)
No Longer In-Between: Towards a Social Abstraction in Comics Exhibitions (abstract)
Ann Miller (Leicester, UK)
The Nude and the Naked: from Fine Art to Comics (abstract)
Katharina Brandl (Basel, CHE) | Anne Elizabeth Moore (Detroit, USA)
Do What You Love, or: About Precarious Living and Working Conditions in the Comics Industry (abstract)
11:00h Coffee Break
11:30h Panel 4: (Trans-)Cultural Identities
Chair: Laura Schlichting
Anne Magnussen (Odense, DNK)
Mexican Comics and the Revolution (abstract)
Anna Nordenstam (Gothenburg, SWE) | Margareta Wallin Wictorin (Karlstad, SWE)
Talking Back Strategies in Swedish Feminist Comics (abstract)
Nina Mickwitz (London, UK)
Precarity and the Gendered Migrant Body in Nina Bunjevac’s Heartless (abstract)
13:00h Lunch Break
14:45h Panel 5: (De-)Constructing Race and Ethnicity
Moderation: Marie Schröer
Priscilla Layne (Chapel Hill, USA)
Weyhe’s Postcolonial Approach to the Documentary Graphic Novel (abstract)
Jonathan W. Gray (New York City, USA)
Descendants of Kings and Queens: Black Panther and Entangled African Cosmopolitanism (abstract)
Jaqueline Berndt (Stockholm, SWE)
Destabilizing Gender but not Race? Effeminate Boys, Caucasian Appearances, and Uncertain ›Gutters‹ in (Shōjo) Manga (abstract)
16:15h Coffee Break
16:45h Panel 6: Superheroes Revisited: Intersections of Gender and Genre
Chair: Stephan Packard
Jeffrey Brown (Bowling Green, USA)
Batman: Anchor for the Space Between (abstract)
Ranthild Salzer (Wien, AUT)
Objectifying the Male: Early Superhero Comics as Fantasies of Masculinity (abstract)
Olivia Hicks (Dundee, UK)
»No Place for Trespassers«: The Supercats and the British Superheroine (abstract)
18:15h Coffee Break / Snack
19:00h Keynote 2
Carolyn Cocca (New York City, USA)
Reproducing Inequality and Representing Diversity: The Politics of Gender in Superhero Comics (abstract)
Chair: Nina Heindl
Wednesday, 19. September 2018
9:00h Panel 7: Structures of Power and Difference in Superhero Comics
Chair: Lukas R.A. Wilde
Markus Engelns (Duisburg-Essen, GER)
The ›Man of Tomorrow‹ as Copy Template – Male Hegemony and its Reproduction in Superhero Comics (abstract)
Thomas P. Scholz (St. Louis, USA)
Deconstructing the Superhero Genre: BDSM, Hypersexuality and Marshal Law (abstract)
Juliane Blank (Saarbrücken, GER)
Rethinking the World of a Female Superhero. Marvel’s Jessica Jones as an Example of a Gender-Sensitive Marvel Adaptation (abstract)
10:30h Coffee Break
11:00h Panel 8: Queering Comics
Chair: Daniel Stein
Frederik Byrn Køhlert (Norwich, UK)
Queer as Style: Ariel Schrag’s High School Comic Chronicles (abstract)
Romain Becker (Lyon, F)
The Binary Comics of a Non-Binary Artist: How Vaughn Bodé’s Gender Structures his Work (abstract)
José Alaniz (Seattle, USA)
TranSiberia and Queer Comics in Russia (abstract)
12:30h Lunch Break
14:00h Panel 9: Fluide Körper [German]
Chair: Ole Frahm
Marina Rauchenbacher (Wien, AUT) | Katharina Serles (Dresden, GER)
Gerahmt und zerstückelt. Zeichenhaftigkeit und Wahrnehmung von Körpern in Comics (abstract)
Anna Beckmann (Berlin, GER)
Strategien der Ambivalenzen – Uneindeutige Geschlechteridentitäten im Comic (abstract)
Daniela Kaufmann (Graz, AUT)
Color Change & Gender Fluidity. Zur Korrelation von Farbe und Geschlecht bei George Herrimans Krazy Kat (abstract)
15:30h Coffee Break
16:00h Panel 10: Alternative Comics und Feminismus [German]
Moderation: Markus Streb
Sylvia Kesper-Biermann (Hamburg, GER)
»…denkt lieber mal nach, wie das so zu Hause bei euch läuft«. Geschlechterverhältnisse in Alternativ-Comics der 1970er Jahre (abstract)
Kalina Kupczynska (Łódź, PL)
BLUT, oder: Gender und Nationalität im polnischen Comic (abstract)
Sophie Bürgi (Basel, CHE)
»Common scents«: Geruchsregime und affektive Zwischenräume in Lynda Barrys Comic One! Hundred! Demons! (abstract)
17:30h Concluding Discussion
Chair: Nina Heindl | Véronique Sina

Social Media

twitter.com/comicforschung
#ComFor 2018

facebook.com/gesellschaft.fuer.comicforschung

Conception

Christine Gundermann (University of Cologne | Department of History)
Nina Heindl (University of Cologne | a.r.t.e.s. Graduate School for the Humanities Cologne)
Véronique Sina (University of Cologne | Department of Media Culture and Theatre)

Conference organisation

Nina Heindl (University of Cologne | a.r.t.e.s. Graduate School for the Humanities Cologne)
Véronique Sina (University of Cologne | Department of Media Culture and Theatre)

The conference organisers are supported by
Bettina Begner, Stephan Böhm, Jan Harms, Yasmin Neuhaus, Anja Pflugfelder, Michaele Pollich, Jacqueline Rehse, Lukas Respondek, Elea Thieser, Alina Valjent, Elsa Weiland, Lies Weimer, and Philin Zwirner.

Exhibition organisation

Organisation of the exhibition “Comics and Disability Studies”:
Véronique Sina (University of Cologne | Department of Media Culture and Theatre)

Organisation of the exhibition “SuperQueeroes. Unsere LGBTI*-Comic-Held_innen”:
Christine Gundermann
(University of Cologne | Department of History)

Contact:

comfortagung2018@gmail.com 

Registration:

Attendants are kindly asked to register until August 31st 2018 at comfortagung2018@gmail.com

The conference fee will be:
35 € for professors and postdocs
25 € for PhD-students and ComFor-members
15 € for students.

Please transfer the conference fee to our account (see below) no later than September 3rd 2018 (received payment!).

– closed –

The conference is being sponsored by: DFG, German Research Foundation | Finanzfonds der Universität zu Köln zur Umsetzung des gesetzlichen Gleichstellungsauftrags | | the equal rights commissioner of the Faculty of Arts and Humanities at the University of Cologne | the German Academic Exchange Service (DAAD) funded by the Federal Ministry of Education and Research (BMBF) | MedienStiftung Kultur | a.r.t.e.s. Graduate School for the Humanities Cologne | Department of Media Culture and Theatre, University of Cologne .

Cooperation Partners

Cöln Comic Haus

Elbenwald GmbH

CFP COMFOR-Conference 2018: “Spaces Between – Gender, Diversity and Identity in Comics”

Termin:
2018 09 17 - 2018 09 19

Deadline: 1st of April, 2018
Spaces Between – Gender, Diversity and Identity in Comics

13th Annual Conference of the German Society for Comics Studies (ComFor), University of Cologne, 17/09/2018 – 19/09/2018

Illustration: Aisha Franz 2018

For decades, comics have been perceived as a mass phenomenon situated in popular culture, which manifests, establishes and perpetuates stereotypical (gender)  representations. Hence, the image of a particularly helpless, passive, but all the more attractive female victim is at home in the repertoire of the medium no less than the representation of a radiant, muscular, white, heterosexual hero, whose first duty consists of protecting the world and its inhabitants from catastrophe. In this sense, comics might seem alike to other forms of mass media in the age of mechanical reproduction and their tendency towards generalisations and clichés. From a historical perspective, reactions to the worldwide anti-comics campaigns of the 1950s, including self-censorship among numerous comic book publishers, also exemplarily point to heteronormative and xenophobic tendencies within mass media comics culture, which was in turn long reflected in the demographics of its readership. However, as a popular and oftentimes marginalised medium, comics never completely became one with this role of a (reactionary) stabilising force. Rather, comics are imbued with a socio-political dimension that has always encouraged comics artists to use the spaces between in a creative way,  and to question and subvert (social) norms.

Comics are both visual and sequential art: they constitute a visual medium that is defined by  the sequence of its static images as well as by the spaces between the panels. Hence, the succession of sequential images in comics is by no means seamless. Rather, the conglomeration of (blank) spaces interconnects and separates them at the same time. These ‚spaces between’ might be used or construed as a reference to a realm of the ‚unshown’, wherein notions of a final, self-contained truth  are renounced and alternative worldviews that challenge the social status quo are enhanced. At the same time, the theme of the planned conference on ‚spaces between’ refers to the hybridity and ambiguity of the art form that combines picture and text: As an ‘inter-medium’, comics constitute a transgressive form which resists common classifications and mechanisms of exclusion based on hierarchical and hegemonic structures. In this respect, comics have the potential to destabilise and blur binary oppositions such as subject/object, nature/culture, man/woman, authentic/artificial, good/bad, normal/abnormal or black/white that are usually perceived as ‘natural’ and ‘given’. In certain circumstances, the medium thus has the potential to break up rigid dichotomies, and to open up spaces for the representation of ‘shades between’ – of fractions, differences and diversity.

The 13th annual conference of the German Society for Comics Studies will examine this productive potential of comics by uncovering and analysing different forms of the ‘spaces between’ within the art form itself, but also within its production and its audience. The internationally and inderdisciplinarily assembled  talks will focus on the question how gender, identity and diversity are represented and negotiated in sequential art. The conference topic Spaces Between – Gender, Diversity and Identity in Comics will draw our attention to the nexus between the medium of comics and categories of difference and identity such as gender, dis/ability, age, and ethnicity, in order to open and deepen an interdisciplinary conversation between comics studies and intersectional identity studies within the international comics studies community. In this respect, the 13th annual conference of the German Society for Comics Studies will not only contribute to the disclosure of exclusions, power structures and (hetero-)normative allocations in comics, but will also critically analyse their socio-political and communicative forms of (re-)production.

Potential topics for contributions may include, but are not limited to, the following:
  • constructions of gender in comics
  • the interplay of gender and genre in comics
  • conceptions of identity and their (de-)construction in comics
  • intersectionality and comics
  • the (re-)production and constitution of difference and power structures in comics
  • manifestations of heteronormative structures and allocations in comics
  • mechanisms of hegemonic exclusion(s) in comics
  • queerness and comics
  • historic dimensions of identities in comics
  • diversity and normalisation processes in comics
  • race, class and ethnic stereotypes in comics
  • comics and postcolonial studies
  • body images in comics
  • representations of dis/ability in comics
  • the interrelation of comics, health and corporeality in the realm of graphic medicine
  • economies of difference: gender, identity and diversity on the (international) comics market
  • spaces between, centres and peripheries: transnationality and diversity in comics culture
Open Workshop:

Beyond the discussion of each year’s special topic, the German Society for Comics Studies aims to further co-operation and dialogue in all areas of comics research. The 13th Annual Conference in Cologne will therefore continue an open workshop format that allows researchers to present and gather feedback on on-going projects within comics studies in all stages of development, and without any thematic restrictions – not limited to the conference topic. The invitation stands for colleagues in all phases of academic careers to discuss any projects on which they are currently working.

Submissions and contact:

Please address your abstracts of roughly 300 words plus a short biography (as a word and pdf file) no later than April 1st 2018 to: comfortagung2018@gmail.com

Contributions to the conference will be accepted in English or German and should not exceed 20 minutes. The presentations in the open workshop are limited to 15 minutes.

We plan to publish selected contributions in an edited volume.

Participants are not required to be members of the German Society for Comics Studies. Contributions from non-members welcome!

Conception:

Christine Gundermann (University of Cologne, Department of History)
Nina Heindl (University of Cologne, a.r.t.e.s. Graduate School for the Humanities Cologne)
Véronique Sina (University of Cologne, Department of Media Culture and Theatre)

Program of the 12th Annual ComFor Conference in Bonn: “Comics and their Popularity”

Termin:
2017 12 01 - 2017 12 03

The University of Bonn warmly invites to the 12th annual research conference of the German Society for Comics Studies (ComFor) from December 1 to 3, 2017: “Comics and their Popularity”. It is organized by Joachim Trinkwitz and Rolf Lohse.

Visitors are kindly requested to register at comicforschung@uni-bonn.de. The conference fee will be 30 € for guests (ComFor-members pay a reduced fee of 20€ and students 10 €). Please transfer to:

Universitätskasse Bonn
Sparkasse KölnBonn
IBAN: DE08 3705 0198 0000 0576 95
BIC: COLSDE 33
Important notice: Please always include the follwing:
61 117 / 282 11 / PN 73125016

Short invitation:

“Comics might currently seem to show some ambivalence towards their own popularity. On the one hand, multitudes have access to these media that provide entertainment and, increasingly, information. On the other hand, it is their very popularity that has in the past given rise to popular suspicions against comics. It is no later than in the 1950s that parents and pedagogues all over the world begin to fear that comics might lead children and teenagers astray, prompting them to limit access, which has in turn constrained the formal and topical development of the art form. At the same time, rendering comics as harmless entertainment for kids attracted criticism of immaturity, excluding it from the canonical reading for self-defined members of the educated classes. In the 1970s, the art form could thus be rediscovered as a subversive mode of expression. The attempt to use the term ‘graphic novel’ as a vehicle to approach new audiences was again met with ambivalence: While the traditional fan scene, often wary of outsiders, saw its identity and large parts of its reading conventions at risk, publishers, reviewers and book sellers saw an opportunity to gain new readership and popularity. For some parts of academia, it was only then that comics became an object of cultural research. It is these dialectics of exclusions and inclusions, access and constraint, that the conference on Comics and their Popularity at Bonn University will discuss. ”

Zum vollständigen Programm