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European Comic Art  16.1

online im Abonnement
Website

• Tilmann Altenberg: “Don Quixote Unbound: Intertextuality, Interpictoriality, and Transculturality in Flix’s German Graphic Novel Adaptation (2012)”
• Jörn Ahrens: “The Graphical Epistemology of Comics via Jeff Lemire’s Gideon Falls”
• Alicia Lambert: “(Mis)Leading the Reader: Decolonising Adventure Comics in Baruti and Cassiau-Haurie’s Le Singe jaune”
• Ylva Lindberg: “The Agency of the Periphery: Changes in Local Comics through Flows of Francophone Bandes dessinées to Sweden, 1950–2020”

Journal of Graphic Novels and Comics 14.1 & 2

online im Abonnement
Website

• Wajeehah Aayeshah: “Hockey sticks, purple smoke bombs, and empathy: female character representation in Pakistani comics”
• Parnika Agarwal: “Calvin and Hobbes: satirising work, leisure, imagination and agency within the context of the pervasive forces of capitalism”
• Jackson Ayres: ‘“A very, very bad mood”: the turn to horror in Alan Moore’s late comics’
• Jerzy Szyłak, Sebastian Jakub Konefał: “The influence of local and national press on the comic publishing industry in the Polish People’s Republic between 1956 and 1989”
• Prateek: “Emergency’s children: satire in the hindi comics of Hawaldar Bahadur”
• Michael Cop, David Large: “‘Words, Words, Words’: Making Comics and Sense of the Three Texts of Hamlet”
• Hanae Kim: “‘I read webtoon every day!’: young adult k-pop fans’ language learning and literacies with korean webcomics”

• Jonathan M. Bullinger: “Marvel tells / sells its own history: figureheads, promotion, curation, and application, 1982-1987”
• Janina Wildfeuer, Ielka van der Sluis, Gisela Redeker, Nina van der Velden: “No laughing matter!? Analyzing the Page Layout of Instruction Comics”
• Robert Aman: “Semi-naked revolutionary: native Americans, colourblind anti-racism and the Pillaging of Latin America in Tumac”
• Sathyaraj Venkatesan, Arya Suresh: “Critique of DSM, medicalisation and graphic medicine”
• Thomas Hamlyn-Harris: “Double take: ephemera and viewpoint construction in graphic memoir”
• Sohini Bera, Rajni Singh: “Graphic narratives as history: the emergency period (1975– 1977) in Vishwajyoti Ghosh’s Delhi Calm”
• Shriya Raina: “Corpse geographies in Munnu: a boy from Kashmir: sites of resistance and post-mortem agency”

Studies in Comics  13.1-2

online im Abonnement
Website

• Denis Dépinoy: “‘Tu te trompes, Fantasio’: Yves Chaland’s decoding and recoding of Spirou”
• Shromona Das: “The perfect victim: Reading trauma and victimhood in rape narratives in Indian comics”
• Nora Hickey, Amaris Feland Ketcham: “Troubling the sequential image: The poetry comics of Bianca Stone”
• Benjamin Fraser: “The shape of European jazz: On mute, mutable and pedagogical musical representations”
• Francesco-Alessio Ursini, Giuseppe Samo: “The purple thread: The reception of Prince as a fictional character in graphic narratives”
• Greice Schneider, João Senna Teixeira: “Cuteness and everyday humour in Nathan W. Pyle’s Strange Planet”
• Damon Herd: “Introduction: Uncomics”

Inks: The Journal of the Comics Studies Society  6.3

online im Abonnement
Website

• Rachel Miller, Daniel Worden: “Understanding Comics at 30: An Introduction”Hillary Chute: “’Weirder than That‘: Understanding Comics at Thirty”
• Kate Polak: “Three Ideas”Moritz Fink: “’Cool‘ Media Studies: McCloud, McLuhan, and the Popification of the Humanities”
• Marco d’Alessandro: “Unaframed: A Short Visual Essay”
• Charles Hatfield: “The Empowered and Disempowered Reader: Understanding Comics against Itself”
• Caitlin Cass: “Alchemy and Control”
• Paul Fisher Davies: “What We Do in the Gutters: Or, If Not Transitions, What?”
• Ken Parille: “Image over Text: ‚Visual Emphasis‘ and Understanding Comics”
• Shreya Sangai, Beena Anirjitha Urumy: “Lines from the Margins: Gond Artists Engage with McCloud”
• Misha Grifka Wander: “Someone Else’s Icon: Complicating Comics and Identification”
• Antonija Cavcic: “Contemplating Covid through Understanding Comics: Conveying Meaning with Panel Transitions in Covid-themed Comics”
• Chris Malone: “Reader Participation in Comics (Through Walking my Dog)”
• Harriet Hustis: “Understanding McCloud: (En)Countering Closure in the Context of Trauma”
• Jason DeHart: “Form and Counter-Narratives: Using Understanding Comics with Pre-Service Teachers”

ImageText  13.3

online, open access
Website

• Brian Olszewski: „The Joke Work of Batman: The Killing Joke“
• Christopher Younie: „Journey to the West goes Queer“
• Jake Zawlacki: „Searching for Legitimacy: Spawn, McFarlane, and the Homage Cover“