Im Monitor werden in unregelmäßigen Abständen aktuelle Publikationen aus den letzten 6 Monaten vorgestellt, die für die Comicforschung relevant sein könnten. Die kurzen Ankündigungstexte dazu stammen von den jeweiligen Verlagsseiten. Haben Sie Anregungen oder Hinweise auf Neuerscheinungen, die übersehen worden sind und hier erwähnt werden sollten? Das Team freut sich über eine Mail an redaktion@comicgesellschaft.de. -> Zu früheren Monitoren.

Jessica Jones, Scarred Superhero:
Essays on Gender, Trauma and Addiction in the Netflix Series

Tim Rayborn und Abigail Keyes (Hrsg.)
McFarland
247 Seiten
ISBN 978-1-4766-6684-6 (Paperback)
~$ 35,00
März 2018

Verlagsseite
Jessica Jones barged onto our screens in November 2015, courtesy of Marvel and Netflix, presenting a hard-drinking protagonist who wrestles with her own inner (and outer) demons. Gaining enhanced abilities as a teenager, she eschews the ’super costume‘ and is far more concerned with the problems of daily life. But when Jessica falls under the control of a villain, her life changes forever. Based on the comic book Alias, the show won a large following and critical acclaim for its unflinching look at subjects like abuse, trauma, PTSD, rape culture, alcoholism, drug addiction, victims’ plight and family conflicts. This collection of new essays offers insight into the show’s complex themes and story lines.

Comics Studies Here and Now

Frederick Luis Aldama (Hrsg.)
Routledge
348 Seiten
ISBN 978-1-1384-9897-6 (Hardcover)
~£ 115,00
Mai 2018

Verlagsseite
Comics Studies Here and Now marks the arrival of comics studies scholarship that no longer feels the need to justify itself within or against other fields of study. The essays herein move us forward, some in their re-diggings into comics history and others by analyzing comics—and all its transmedial and fan-fictional offshoots—on its own terms. Comics Studies stakes the flag of our arrival—the arrival of comics studies as a full-fledged discipline that today and tomorrow excavates, examines, discusses, and analyzes all aspects that make up the resplendent planetary republic of comics. This collection of scholarly essays is a testament to the fact that comic book studies have come into their own as an academic discipline; simply and powerfully moving comic studies forward with their critical excavations and theoretical formulas based on the common sense understanding that comics add to the world as unique, transformative cultural phenomena.

Working-Class Comic Book Heroes:
Class Conflict and Populist Politics in Comics

Marc DiPaolo (Hrsg.)
University Press of Mississippi
240 Seiten
ISBN 978-1-4968-1664-1 (Hardcover)
~$ 90,00
Mai 2018

Verlagsseite
In comic books, superhero stories often depict working-class characters who struggle to make ends meet, lead fulfilling lives, and remain faithful to themselves and their own personal code of ethics. Working-Class Comic Book Heroes: Class Conflict and Populist Politics in Comics examines working-class superheroes and other protagonists who populate heroic narratives in serialized comic books. Essayists analyze and deconstruct these figures, viewing their roles as fictional stand-ins for real-world blue-collar characters. Informed by new working-class studies, the book also discusses how often working-class writers and artists created these characters. Notably Jack Kirby, a working-class Jewish artist, created several of the most recognizable working-class superheroes, including Captain America and the Thing. Contributors weigh industry histories and marketing concerns as well as the fan community’s changing attitudes towards class signifiers in superhero adventures.